Video review: "The Good Dinosaur"

"Shaun the Sheep" got an Oscar nomination for Best Animated Feature, but "The Good Dinosaur" did not? Color me confused.

In a relatively weak year for animated pictures, "The Good Dinosaur" stands out for me as marginally the best of the lot. Certainly better than the cute-but-predictable "Shaun," or the weird-for-weird's-sake "Anomalisa." I'll even take it over the giddy but hardly superior fellow traveler in the Disney/Pixar universe, "Inside Out."

(The other two Academy Award nominees are foreign language films that haven't been widely released on these shores.)

I enjoyed "Dinosaur" because it was an empathetic, vibrantly told tale with some originality and verve. It's about a juvenile dinosaur, Arlo (Raymond Ochoa), who gets separated from his family and falls in with a feral human boy, Spot (Jack Bright). In one of the movie's many clever twists, here the reptiles are the evolved species that talk and use tools, while the homo sapiens are primitives who use their beastly skills to survive -- in Spot's case, mostly by stealing from Arlo's clan.

It's a familiar 'hero's journey' type of story, with Arlo having to experience all kinds of scary, and occasionally thrilling, adventures in order to find his rightful place in the world.

It's a beautifully rendered planet, with the humans and dinosaurs drawn in a deliberately cartoon-y way, while all of the natural backdrops and supporting critters are super realistic. You'd think the combination would be off-putting, but after a bit we settle in and it feels right.

Screenwriter Meg LaFauvre's script is a solid mix of familiar elements -- a little bit "Finding Nemo," a smidgen of "The Lion King" -- and new stuff. The story has a way of scaring us just when we thought things were safe, and turning fearsome encounters on their head.

It did pretty mediocre at the box office, so there's a good chance you didn't see "The Good Dinosaur" in theaters. Give it the second chance it richly deserves on video.

Bonus features are quite good. In addition to a feature-length commentary track by director Peter Sohn and key crew members, there are also three deleted scenes, five making-of featurettes, some original animation used for promotional purposes, and the animated short "Sanjay's Super Team" -- which DID get an Oscar nomination.

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Review: "The Good Dinosaur"

"The Good Dinosaur" contains many notes and musical phrases from other animated films, but it's still a strong song all on its own.

It mostly feels like elements of "The Lion King" and "Finding Nemo," with a little bit of "The Croods" thrown in. Reportedly this movie from Disney/Pixar ran into all sorts of problems during production and they essentially had to start over from scratch, with a new cast and director.

It certainly was worth it, as "The Good Dinosaur" is easily the best animated film I've seen this year. (Albeit in a weak year for cartoon movies.)

Raymond Ochoa voices Arlo, a young Apatosaurus who gets separated from his family and must make an uneasy alliance with Spot, a feral human boy (Jack Bright). The twist here is that this is an alternate reality where that big asteroid didn't hit the Earth and wipe out the mammoth land reptiles. Given a few million years to evolve further, they've become the planet's dominant species, capable of speech, agriculture, tools and more.

The humans, meanwhile, can do little more than grunt and bark. Spot is essentially part wolf, a fierce warrior (for his size) and hunter with a terrific sense of smell. Spot and Arlo are enemies, then thrown-together castoffs, then circumstantial allies, then something more.

Director Peter Sohn and his team of animators made an interesting choice visually. Except for the dinosaurs and people, everything is rendered in hyper-realistic animation. The mountains, the dirt, the vegetation and even smaller animals -- collectively described by the dinos as "critters" -- almost look like they've sprung to life out of National Geographic gallery.

Arlo, Spot and their fellows, however, have a deliberately cartoony look to them, with exaggerated features and shapes. Arlo's eyeballs are so big that if they were actually spherical, they would have to extend out past the sides of his head.

But it all works. The contrast between the stylized protagonists and their often-dangerous environment makes for an oddly intuitive sort of balance, a yin and yang effect.

Jeffrey Wright and Frances McDormand are soothing and wise as Poppa and Momma, corn farmers who till and protect their own land and impart to their young ones the importance of "making your mark." To them this means pushing past your limits and fears and finding your place in the world.

That's easy for brash, bruising brother Buck (Marcus Scribner) and headstrong sister Libby (Maleah Padilla,) but Arlo is a smallish (for his kind) and timid sort who gets rattled just by feeding the family "chickens." When a storm comes and a tragedy visits the family, Arlo finds himself washed far away into a strange land. Only Spot, who's caused them some trouble earlier with his foraging, is on hand for companionship.

The screenplay by Meg LeFauvre, who also helped pen this summer's "Inside Out" -- the first time Pixar has released two features in one calendar year, by the way -- keeps things simple, and inspired. Arlo and Spot encounter a variety of natural challenges and other dinosaurs, including a soaring band of pterodactyls and a fearsome family of tyrannosaurs (Sam Elliot voices the dad), but things often don't shape out as they first appear.

"The Good Dinosaur" isn't the top of the animation pyramid for Pixar, which has been in something of a trough lately after 15 years of one triumph after another. But being a step down from "Finding Nemo" and "Toy Story" et al isn't a bad place to be.

Video review: "Monsters University"

Between “Planes” and “Monsters University,” the Pixar/Disney animation empire appears to be stuck in a rut. Once a fountainhead of original storytelling and innovative characters, lately they’ve been spinning out sequels that seemed to spring more from the minds of the marketing department than the creative wing of Walt’s shop.

“Monsters University” is a perfect example of the current state of Pixar -- an agreeable romp aimed squarely at the kindergarten-and-down crowd. It features a lot of cool screwy monsters, the estimable vocal talents of Billy Crystal and John Goodman, and not much else.

We’re going back in time to the college days of green, one-eyed ovoid Mike Wazowski (Crystal) and hirsute blue BMOC Sully (Goodman). Instead of pals they’re rivals squaring off to see who is the best scarer around.

When the top fraternities won’t take them, they’re forced to join the unhallowed ranks of Oozma Kappa, a frat full of losers that includes a middle-aged salesman, a two-headed monster with a split personality and a flaky dude who looks like a big purple “U.”

Playing the heavy is Helen Mirren as Hardscrabble, the old-school dean who doesn’t exactly take a shine to the big-headed frosh pair. She throws Sully and Mike out of the scare program, and to get back in they’ve got to pull together a team of reject monsters and win first prize at the annual Greek contest.

It’s mostly old hat, with a few funny bits and life-lessons moments. It gets a passing grade.

Video extras are quite good – provided you’re willing to spring for the more expensive Blu-ray/DVD combo. The DVD contains only with an audio commentary track and “The Blue Umbrella,” a charming little Pixar short film.

The Blu-ray package adds deleted scenes and nine making-of featurettes, including how to “age down” monsters who appeared in the original “Monsters, Inc.”

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Review: "Monsters University"

I've always thought "Monsters, Inc." was the most underrated of the Pixar films. It came out the same years as "Shrek," which grabbed the Academy Award for animated feature and most of the limelight. But it was a sweet, playful story with a smart twist on the scary monsters every child imagines is hiding in their closet.

The sequel, or rather prequel, arrives 12 years later and can't meet the high standard set by its predecessor, though it's still an enjoyable romp. Since "Inc." pretty much wrapped up all the troubles facing that universe -- with the monsters switching to making tykes laugh instead of scream to solve their energy crisis -- there wasn't anywhere to go, story-wise.

Solution: go backward!

So we tag along as green, one-eyed cue ball Mike Wazowski (Billy Crystal) and furry blue behemoth James P. Sullivan (John Goodman) make their debut as freshmen on the campus of "Monsters University." Rather than best buds, they're rivals competing for status as the big scarer on campus (BSOC?).

There's an unavoidable disconnect here, since we know all the sweat and toil they put into horrifying kids will eventually come to naught. And Crystal and Goodman, two guys in their 60s trying to pass vocally as teenagers, sound like ... two guys in their 60s straining at the upper ends of their voice range.

Randall, the fearsome disappearing serpent voiced by Steve Buscemi, turns up in a bit part as Mike's awkward roommate, who falls in with the misguided popular crowd. It seems a poor use of a really good character.

The animation is terrific, and we get to see some more crazy variations of monster biology, including a snail student who races to get to class on time, unsuccessfully. I'd advise you to skip the 3D upgrade, since it doesn't really seem to add much to the spectacle.

The story boils down to a pretty standard college comedy, though toned down for a G rating compatible with even the smallest audience members. There are familiar jocks-versus-nerds contests, dissimilar fraternity brothers finding an unlikely bond, and even a scary dean cracking down on all the fun.

The dean, named Hardscrabble, is voiced by Helen Mirren and is the best creation in the new movie. She scritches about on chitinous legs with an insectoid torso, flies around on bat wings and always seems to be standing so her face is cast in shadow. Neat trick, that.

Hardscrabble, a legendary scarer in her own right, doesn't think either Mike or Sulley has what it takes. So they're forced to enter, and win, the annual Greek Scare Games in order to get back into her loathsome graces.

Rebuffed by the top fraternities, the boys have to join up with Oozma Kappa, a lame bunch of reject monsters ("We're O.K.!"). They include Don (Joel Murray), a tentacled middle-aged salaryman giving college another try; Squishy (Peter Sohn), a multiple-eyed pile of goop with a confidence problem; Art (Charlie Day), a dippy hippie type who looks like an inverted "U" with purple fur and four hands; and Terri/Terry (Sean Hayes and Dave Foley), a two-headed dude who doesn't always agree with himself.

There's some nice byplay as Sulley and Mike butt ... well, cranial surfaces. (Mike doesn't really have a head, unless you count his whole body as one.) The set-up is that Sullivan is the natural talent from a prodigious family of scarers who tries to skate by without trying, while Mike is a grind who knows the academia of fright in and out, but lacks that certain something.

Director Dan Scanlon and fellow screenwriters Robert L. Baird and Daniel Gerson are Pixar backbenchers called up for a turn at bat, and they acquit themselves without swinging for the fences. "Monsters University" is a reasonably fun, not terribly original but never boring ride with a pair of old, likable chums.

Note: the film is preceded by a 7-minute short, "The Blue Umbrella," written and directed by Saschka Unseld. It's about everyday city objects secretly coming to life, and it's a charming mix of hyper-realistic animation and cartoony tropes.