Video review: "Venom"

“Venom” is exactly the sort of fun, forgettable movie Hollywood is in love with these days. It came out without a tremendous amount of hype, aside from diehard comic book fanboys, and proceeded to make a boatload of money.

I just saw it two months ago and I can barely remember it.

Tom Hardy plays Eddie Brock, a hard-charging digital journalist living the dream in San Francisco. Things come crashing down in short order when he takes on a technology tycoon (Riz Ahmed) everyone thinks is nice but secretly is working on some nasty experiments. While busting into the laboratory to prove his case, Eddie gets unwillingly attached to an alien symbiote and becomes Venom.

It’s a symbiotic relationship -- if your partner was a bullying, violent ball of black tar from another planet that wants to bite off everyone’s heads. Eddie’s aware of everything going on when Venom takes over, but can’t really control it.

Powers are fairly similar to Spider-Man’s: super-strength and speed, as well as the ability to create spikes and other shapes out of its pitch-black form. Oh, and he’s got a nasty pair of choppers to make good on all the avowed head-chomping.

The action scenes are a bit muddy, and I didn’t appreciate another Tom Hardy character whose dialogue is hard to understand. He’s a great actor, but mumbling is not an aesthetic.

The Blu-ray comes with some cool bonus features, including several deleted and extended scenes, a making-of documentary, pre-visualization of some of the CGI-heavy sequences, several featurettes and a couple of music videos.

By far the coolest extra is “Venom Mode,” in which you can watch the movie with informative pop-ups throughout the movie that include comparisons with the comics and hidden references.

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Review: "Venom"

"Venom" is pretty goofy and kind of a garbage movie. But it's the sort of thing that's fitfully entertaining, enough so that you tend to forgive the goofiness and garbageness.

Tom Hardy graduates from playing a Batman villain to a Marvel one, although in this telling he falls more into the anti-hero groove. You may remember from "Spider-Man 3" -- unless you've purged the entire thing from memory, which isn't a bad idea -- that Eddie Brock was a rival to Peter Parker's at the Daily Bugle who eventually become infected with the same alien symbiote that lent him his cool new black suit and darker powers.

This presumably takes place in some alternate timeline, where Eddie never became Venom but instead was chased out of the New York media scene for veiled indiscretions. He landed in San Francisco and has done well for himself, operating as a mobile investigative reporter for a local network doing "The Eddie Brock Report." He's got a cool townhouse, a nifty motorcycle and even niftier fiancee (Michelle Williams).

Things come a-tumblin' down when he goes after an Elon Musk-like tech billionaire whose space program brought back the alien creatures, which resemble twitching balls of tarry goo, and is experimenting with bonding them to mammal hosts, soon upgraded to human guinea pigs.

Eddie loses his job, his home, his girl and his reputation. Oddly, although his clothes and hair get scragglier, he never seems to run short on cash, generously handing a $20 bill to a homeless woman. And he's able to keep his bike and park it in a dingy alley without ever having to worry about it being stolen.

The villain is played by Pakistani actor Riz Ahmed, and I thought it was cool that we're at a place culturally and cinematically where we're comfortable with a brown bad guy. Though for some reason the movie grants him the overpoweringly WASP-y name of Carlton Drake.

One of the alien symbiotes attaches itself to Eddie, turning him into a monstrous figure that resembles Spider-Man dipped in boiling pitch, with a nasty sexualized tongue constantly wagging. He gains superhuman strength and agility, and the symbiote can create spikes or other shapes with its tentacle-like appendages.

Hilariously, the creature also speaks to him, using the same rough, growly Batman voice that has become de rigueur for darker comics characters. It can control Eddie's body and actions, though he remains conscious the entire time, even when Venom wants to (and does) chomp on people.

At one point Venom looks at a gang of mercenaries they have just defeated, and suggests he bite off their heads and arrange the pieces, just for the aesthetic pleasure of it. "Pile of bodies, pile of heads!" it demands.

There are some decent action scenes, though the CGI often becomes bewildering and hard to follow. Hardy plays Eddie as another one of his mush-mouth twerp characters, more Ratso Rizzo than Peter Parker.

"Venom" starts out a little scary and eventually turns into a weird buddy cop comedy, except one of them's a voracious alien creature and neither one of them is a cop.

Eight for '18: Year in film preview

I'm changing things up this year by presenting a truncated year in film preview, rather than the comprehensive one I usually do. I'm doing this for a couple of reasons:

• I'm busy as sh*t.
• There are literally six million 2018 movie previews out there, and I'd rather do my own thing than join the content farm lemmings.

So I present "Eight for '18" -- the eight films I'm most anticipating this year. Please note, these are the flicks I am looking forward to, not necessarily what would come up under a "most anticipated" poll. So don't be shocked because you don't see "Avengers: Infinity War" or some of the other big titles out there.

(Also, please note I left "Black Panther" off because it's coming out in just a couple of weeks, and I wanted to give readers more of a look further down the road. Suffice it to say I'm also stoked about that one. The early word on it has been nigh-orgiastic fervor, which is exciting but also... disturbing.)

In chronological order:

Isle of Dogs

March 23

I've been very up and down on the films of Wes Anderson -- you would literally have to threaten me with the removal of a key body part to get me to watch "The Life Aquatic with Steve Zissou" again -- but I absolutely adored his foray into stop-motion animation, "Fantastic Mr. Fox." He's back with this Japanese-inspired tale of a boy searching for his dog in the secret land of exiled canines that includes voices by W.A. regular Bill Murray, Tilda Swinton, Edward Norton as well as Scarlett Johansson and Bryan Cranston.

Pacific Rim Uprising

March 23

What?? Two of my favorite picks debuting on the same day?!? Hopefully they won't cancel each other out at the box office. Guillermo del Toro isn't at the helm, which is concerning. But John Boyega -- using his actual British accent! -- stars as the son of Stacker Pentecost, who teams up with Mako Mori to lead a new generation of pilots of skyscraper-sized robots to take on a new threat of Kaiju monsters.

Ready Player One

March 30

Steven Spielberg tackles the dense, page-turning sci-fi novel about a dystopian future in which everyone is connected (and imprisoned) by technology, existing mostly in a Matrix-like video game universe called the Oasis. It's like World of Warcraft, but, f'reals. It's sure to be visually stunning, as well as an amusement ride of '80s pop culture references for tickle Gen X erogenous zones. I'll just be curious to see how they locked down the intellectual property rights to all the stuff in the book. If I don't get to see Ultraman blasting spaceships out of the sky...

Solo: A Star Wars Story

May 25

The production on this Star Wars prequel looking at the pre-Rebellion life of Han Solo got off to a famously rough start, with the original directors departing the project in favor of Ron Howard. Can Alden Ehrenreich pull off a Harrison Ford impression? He was the best thing about the underwhelming "Hail, Caesar!" as a dimwitted cowboy star, so fingers crossed. Also excited about Donald Glover a s a young Lando Calrissian. I personally am holding out for the big-screen adaptation of "Lando Calrissian and the StarCave of ThonBoka."

The Incredibles 

June 15

It's interesting that for yours Pixar Animation held off on making any sequels outside the "Toy Story" universe, even though one -- the story of an entire family of super-heroes -- seemed most primed for sequelization. Writer/director Brad Bird is back in the hot seat, and the story is very hush-hush, other than Elastigirl (Holly Hunter) is off saving the world while Mr. Incredible (Craig T. Nelson) is left to babysit pint-sized firecracker Jack-Jack. No word on who the new villain(s) is/are, but I'd guess either Bob Odenkirk or Jonathan Banks will provide the cackle.

Venom

Oct. 5

Isn't about time we got an entire film devoted to a super-villain instead of just another do-gooder? Venom made an appearance in the (awful) "Spider-Man 3," a strange alien symbiote that bonded with the web-slinger before turning evil. Again, the plot is very secret, but reportedly new Spidey Tom Holland turns up. Most exciting: Tom Hardy hisself plays Eddie Brock, the scummy dude who gets turned into Venom.

First Man

Oct. 12

One of America's quietest heroes, astronaut pioneer Neil Armstrong, gets his own biopic starring Ryan Gosling. Not much information available beyond that -- or even a production still -- but here's all I need to know: it's directed by Damien Chazelle ("Whiplash," "La La Land.")

X-Men: Dark Phoenix

Nov. 2

Years ago I interviewed original Jean Grey actress Famke Janssen, and she expressed her regret that they were pulling the plug on the first generation of X-Men movies before they got to explore what many consider one of the greatest story arcs in comics history, the Dark Phoenix saga. Now the franchise is finally going in that direction with Sophie Turner in the lead role, as the psychic/telepath is transformed into the most malevolent force in the universe. Jennifer Lawrence, Michael Fassbender, Nicholas Hoult and James McAvoy reprise their roles, with Jessica Chastain taking on a mystery part known only as "Smith."