Delivering immeasurable volumes of snark about movies and anything else that pops into my head
Showing posts with label Brad Garrett. Show all posts
Showing posts with label Brad Garrett. Show all posts
Tuesday, November 19, 2013
Video review: "Planes"
It’s not just that “Planes” isn’t a very good movie -- because it isn’t.
The very existence of this movie ends up devaluing the brand of Pixar Animation and Disney. This quasi-sequel to the “Cars” movies, animated largely in India, looks and feels like a straight-to-video quickie that somebody decided to shovel into theaters at the last minute. Unsuspecting parents would dutifully take their kids to see it, expecting the same high level of storytelling they’ve come to expect from the gang behind “Finding Nemo” and such.
Instead they got the tepid tale of Dusty Crophopper (Dane Cook), a humble crop-dusting plane who dreams of competing in the Wings Around the Globe race. It’s a familiar litany of just-be-yourself pabulum, goofy sidekicks and whiz-bang action scenes.
Dusty must face off with Ripslinger, the snarly champion, and bond with new friends from Mexico and India. He’s also got a grizzly older military plane (Stacy Keach) offering reluctant advice, and a dim-witted fuel truck (Brad Garrett) to supply comic relief.
The outcome is never really in doubt, and for that matter the beginning and middle are as predictable as a take-off checklist.
“Planes” is a by-the-numbers movie from a studio that once took pride in being the very best.
Video extras are rather slim, perhaps reflecting the down-market ambitions of this picture.
There are deleted scenes, a “Meet the Racers” feature, a brief look at the greatest real-life aviators, a 15-minute documentary following director Klay Hall’s aviation dreams and how they led him to making this movie, and a new music video featuring a minor character.
Movie:
Extras:
Thursday, August 8, 2013
Review: "Planes"
Pixar Animation has been a wondrous success story, churning out hit after hit that pleased children while stirring the emotions and intellects of grown-ups. "Finding Nemo"? "Wall·E"? Those weren't just great pieces of entertainment for kiddies; they were works of great art.
Lately we've seen the inevitable doldrums period, where ideas are being recycled and productions are being handed over to a new wave of creators. "Cars 2," "Brave" and "Monsters University" were pleasant enough, but missing that spark of creative flourish that had been the Pixar hallmark.
This is the first time, though, that it feels like they just weren't trying very hard.
I suppose "Planes" isn't really a Pixar movie, since it doesn't carry the label and comes out of the larger Disney umbrella corporation -- with an animation arm from Mumbai, India providing much of the heavy lifting.
But it's a direct continuation of the "Cars" universe -- "From Above the World of Cars," to use the poster tagline -- was executive-produced by Pixar kingpin John Lasseter, and features the voice talents of some key Pixar veterans (Brad Garrett, John Cleese, John Ratzenberger).
Those who would like to quibble about me knocking Pixar for the lackluster qualities of a movie that's technically not a Pixar product are missing the point. The very fact that the once-infallible geniuses would be willing to spin out a down-market clone of their intellectual creation is a demonstration of how the studio has lost its stamp of specialness.
"Planes" feels like a made-for-TV flick with a higher-than-average budget for CG animation. Overall the looks of the film are decent, although the humanizing of aircraft doesn't work quite as well as it did with cars. With their windshields as eyes and propellers as noses, their outstretched wings make them seem like they're perpetually telling you how they did something thhhiiiisss muuuuuuuch!
Alas, the storytelling is not on par with the visuals. Screenwriter Jeffrey M. Howard and director Klay Hall, who both got their start with Disney "Tinkerbell" videos, approach the material with preadolescent assumptions and mindset.
It plays out as a pretty standard be-who-you-are message, with Dusty Crophopper as a lowly crop-dusting plane who dreams of competing in the Wings Around the Globe race.
He's sort of a diametrical opposite of Lightning McQueen, who suffered from too much confidence. But the familiar roles of curmudgeonly older mentor and humorous truck sidekick are filled by Skipper (Stacy Keach), a brokedown Navy legend, and Chug the goofy fueler (Garrett).
Dusty faces some setbacks, but manages to get into the race and make a serious run at it, impressing the doubting crowds and surprising sneering longtime champ Ripslinger (Roger Craig Smith). He also befriends El Chupacabra (Carlos Alazraqui), a Mexican stunt plane with an outsized personality, and Ishani (Priyanka Chopra), the Far East champion.
Rounding out the cast are Cleese as an unctuous Brit flyer, Julia Louis-Dreyfus as a French Canadian racer and Teri Hatcher as Dusty's mechanic/coach.
There are few surprises in the plot, including some nefarious schemes by the villain and the facing of fears by the good guys. In Dusty's case, this includes a phobia of heights -- funny stuff for a plane, huh? Right?
Dane Cook, a rather generic comedian and actor, makes for a pretty generic vocal stand-in for Dusty. He doesn't have a particularly memorable voice, and doesn't infuse the character with any distinct inflections or personality.
Bland and too afraid to soar for the heights -- much the same could be said for "Planes." Whether you want to label it Pixar or not, it's like watching a play in which all the stars broke their legs at once, and the audience has to make do with the understudies.
Tuesday, March 29, 2011
Video review: "Tangled"

"Toy Story 3" took home the Oscar for animated feature, but "Tangled" was actually the best Disney film of last year.
I mean it -- this delightful mix of music, adventure and romance was the finest princess movie since 1991's "Beauty and the Beast." It's loosely based on the Rapunzel fairy tale from the Brothers Grimm, but has been jazzed up and modernized by screenwriter Dan Fogelman and co-directors Nathan Greno and Byron Howard.
Rapunzel is no blushing maiden eagerly awaiting her rescuer, but a feisty teen (voice by Mandy Moore) hungry for adventure beyond the tall tower in which she's been locked away her whole life. Little does she know evil enchantress Gothel (a terrific Donna Murphy) kidnapped her as a babe from her parents, the king and queen, to exploit the magic of her flowing golden hair.
When Flynn Ryder (Zachary Levi), a charming cad of a thief, hides in Rapunzel's tower, she knocks him cold with a frying pan. Soon they're off on a quest and -- of course -- falling in love.
The movie starts out all fun and games, but gains unexpected heft and emotional resonance as the plot unspools.
Coupled with a handful of Broadway-style showstopper musical numbers, "Tangled" is an old-fashioned charmer.
Video extras vary from meager to decent, depending on which version you buy.
The DVD edition contains only two earlier versions of the storybook opening, and a countdown of all 50 Disney animated features.
The two-disc DVD/Blu-ray combo adds three deleted scenes, a making-of documentary and two extended versions of songs.
Upgrade to the four-disc combo pack and also receive a 3-D version of the film, plus a digital copy for your computer or portable device.
Movie: 3.5 stars out of four
Extras: 3 stars
Labels:
animation,
Brad Garrett,
byron howard,
dan fogelman,
disney,
Donna Murphy,
Mandy Moore,
nathan greno,
new on blu-ray,
new on dvd,
Richard Kiel,
Ron Perlman,
tangled,
video review,
Zachary Levi
Wednesday, November 24, 2010
Review: "Tangled"
"Tangled" is a delightful amalgamation of new and old animation traditions. It's a slick computer-generated movie available in 3-D, but has an old-school approach with a classic fairy tale at its foundation, coupled with Broadway-style musical numbers.
The movie it most reminded me of is Disney's own "Beauty and the Beast" -- and that's a pretty wonderful thing to be reminded of.
Based on the Rapunzel fable by the Grimm brothers, "Tangled" is a far cry from the story about a long-haired maiden trapped in a tower awaiting rescue from an obliging prince. In screenwriter Dan Fogelman's version, Rapunzel is a feisty teen hungry for adventure, and her supposed rescuer is a thief who was just looking for a place to hide from the king's guards, and gets knocked cold by a frying pan-wielding Rapunzel.
There's more magic and mystery added to the tale, too. Rapunzel's mother the queen, deathly ill while pregnant, was healed by a magic flower that bequeathed its spell to the baby's girl's golden hair. Mother Gothel is an enchantress who needs the magic to keep herself young, so she steals the princess from her royal parents and locks her away in a tower.
Rapunzel grows up believing Gothel is her mother, who keeps her protected from a nasty, brutish world eager to exploit her magical hair. The locks take on a life of their own, cascading behind her like an endless bride's train, which she uses to tie her intruder, Flynn Ryder, into knots.
Flynn's a notorious bandit who's just made off with the royal crown -- unknowingly, it's the one Rapunzel was meant to wear -- and climbs the tower to put his pursuers off the scent. He's a cad who thinks too much of his ability to charm others, but agrees to Rapunzel's demand that he accompany her into town to solve the riddle of the mysterious lights that appear in the sky every year on her birthday. (It's actually the king and queen, lighting lanterns in the hope of one day finding her.)
There are some familiar Disney cues. Rapunzel's sidekick is a chameleon named Pascal who doesn't talk, but makes his intentions known through changing colors and mime. Maximus, the best horse in the kingdom, at first is Flynn's nemesis but comes to be a grudging ally.
The trio of principal voice actors are terrific. Mandy Moore gives Rapunzel an earnest-yet-centered quality -- not to mention some terrific singing pipes. Zachary Levi lends Flynn a rapscallion twinkle, and Donna Murphy nails Mother Gothel's screechy high notes, as well as the slithery charm of the low ones.
Jeffrey Tambor, Brad Garrett and Richard Kiel provide the voices of some thugs who turn out to be not so scary, and Ron Perlman is a treat as the Stabbington brothers, Flynn's partners-in-crime-turned-enemies.
I wouldn't go so far as to call "Tangled" a musical, but there are at least three knockout tunes. I especially liked "I've Got a Dream," a jaunty bar song with a sweet core. Alan Menken, who composed music for "Beauty and the Beast" and many other Disney flicks, teams up with lyricist Glenn Slater.
Directors Nathan Greno and Byron Howard start out emphasizing action and adventure, but as time goes on the film gains heft and substance. One wordless scene, where the king and queen console one another over the loss of their child, is spellbinding in the gut-punch power of their grief.
Pixar has come to dominate the animation wing of Disney, but "Tangled" portents well for the future of fairy tales. This is one of the best princess stories from the House of Walt, since ever and ever.
3.5 stars out of four
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