Review: "The Willoughbys"

It's built into the DNA of the modern animated family film that there must be "life lessons" aimed at wee ones. "The Willoughbys" has that, too, though it's buried pretty deep in this tale, based on the book by Lois Lowry, about fractured families.

Mr. and Mrs. Willoughby are... really terrible parents. And not in a strictly ha-ha, they'll-come-around-in-the-end kinda way. They truly, deeply, madly do not like having children.

Living in virtual isolation inside an old mansion surrounded on all sides by skyscrapers, the Willoughbys (voices of Jane Krakowski and Martin Short) do have lots of love in their hearts -- but only for each other. Their ravishing romance holds no room for any ardor to escape when Tim, their firstborn, suddenly arrives. Same goes for daughter Jane and twin boys, who even have to share the same name, Barnaby (Sean Cullen).

(In the narrative safe space of movies aimed at kids, babies simply arrive unheralded, like the mail or the pest cat, voiced by Ricky Gervais, who also acts as the jaded narrator.)

The kids are basically left to their own devices, meals delivered infrequently as the parents remember to dispose of their leftovers, and any minor transgressions rewarded with confinement to the basement coal bin. This is mostly aimed at Tim (Will Forte), who as the oldest is put in charge of the litter by default.

Mostly the parents stay in their living room, cooing and kissing, and dreaming of a day when the children are gone. Unbeknownst to them, the kids are planning the same thing.

They hatch a plan to lure their parents into taking an extended trip around the world, ending with their demise in trying to climb "the tallest Alp." They're trying to manufacture their own orphanhood.

Alas, the parents did have the foresight to hire a nanny -- albeit the cheapest one possible -- and thus arrives Nanny (Maya Rudolph), a plus-sized bundle of energy. Jane (Alessia Cara), a budding songstress, immediately takes a shine to her, but the boys hatch plans to catapult her out the attic window into the city streets, and thus beyond their ken.

I really liked the look of this film, which is done in CG animation but made to seem like stop-motion, with little hiccups in the way people move. The Willoughbys all have vivid red yarn-like hair, including prodigious mustaches when they reach adulthood -- men and women.

The rest of the populace comes in all sorts of hues and shapes. Later on we meet Commander Melanoff (Terry Crews), the fictional mascot of a line of candy the kids are shocked to discover is an actual person, running a massive factory in solitude. He wears a military uniform made of gumdrops and other sugary confections, with a chest the size of a Buick and itty-bitty legs.

This is a fun, bright movie that adults will enjoy as much as children -- an increasingly rare thing you can say these days. Tim, Jane and the Barnabys share a strong bond even as they resign themselves to the fact their parents aren't going to suddenly turn into good people.

"Some people just weren't meant to have children" is not the sort of message you're used to hearing in a children's movie. It has the virtue of being true while also, in this take, quite funny.

Review: "Legends of Oz: Dorothy's Return"

Before you get your knickers into a twist about a new animated movie compromising the purity of the 1939 classic “The Wizard of Oz,” I’d like to point out that there was already an “official” sequel in 1985. (Which is not well remembered because, well, it was pretty awful.) And there have been a handful of films over the years that continued or adapted the story of Dorothy & Co. – “The Wiz” and last summer’s blah “Oz the Great and Powerful” starring James Franco.

Author L. Frank Baum actually wrote a number of Oz books, and his descendants published even more. Heck, there already was an animated version in 1971 called “Journey Back to Oz,” and the Muppets did their own Oz flick in 2005.

So if the very existence of “Legends of Oz: Dorothy’s Return” offends you, then my advice is to just get over yourself.

It’s actually a rather agreeable little film, aimed more at small kids than grown-ups looking to relive childhood memories. The computer animation is decent, the voice acting lively and engaging – including a first-rate turn by Martin Short as the bad guy – and it even features a number of catchy musical sequences.

Sure, this is a few steps down the ladder from “Frozen” in terms of quality and artistry. But it greatly exceeds low expectations.

For Dorothy (Lea Michele), only one day has passed since the twister that transported her to Oz. She wakes up to find her Kansas home leveled, and a shifty appraiser (Short) convincing people to sign over their property and depart.

Back in Oz, though, many years have passed. Scarecrow (Dan Aykroyd) has come into his own as the resident brainiac running the wizard’s palace and contraptions, while Lion (Jim Belushi) and Tin Man (Kelsey Grammer) have become a brave warrior and emotional soul, respectively. But they’re under attack from the evil Jester (Short again) and zap Dorothy back to help out.

This requires a new journey down the yellow brick road, but with a new set of companions assembled along the way.

Wiser (Oliver Platt) is an immensely fat, clever owl who wears spectacles and has a tendency to finish other people’s sentences. Marshall Mallow (Hugh Dancy) is a brave, resolute soldier who just happens to be made of gooey marshmallow. The China Princess (Megan Hilty) is the brittle leader – both in terms of her body and fractious personality – of a tiny people made out of delicate china.

Rounding out the cast are Bernadette Peters as Glinda, trapped by the Jester, and Patrick Stewart as Tug, an aged tree who helps Dorothy along her way.

The Jester is quite a memorable villain. The sibling of the wicked witch killed by Dorothy, he’s both cursed by and hungry for magical power. He can work his sister’s crystal ball and broomstick, though not particularly well, and commands her army of flying monkeys. Short gives him a frenetic desperateness, and also displays some quite amazing singing pipes.

The music by Toby Chu will get toes a-tapping, though the songs tend to be short expositional transitions between scenes rather than show-stoppers.

Co-directors Will Finn and Dan St. Pierre keep things moving along at a brisk pace, and the action scenes are crisply-staged. We get to see a lot more of the fanciful world of Oz, including a bestiary of neat critters. (Though personally, I would have liked to see more than a token munchkin or two.)

This “Oz” film may seem like a cheap spinoff, but it’s fun and breezy. It certainly beats that smarmy Franco flick by a gold-bricked mile.

Video review: "Frankenweenie"

As a filmmaker, Tim Burton's mostly been working on reanimation projects lately -- taking old movies and making them rise from the dead as remakes crammed with computer-generated imagery. The results have been up and down, generally scoring at the box office but leaving lovers of his earlier work (I count myself) feeling disappointed.

If "Frankenweenie" has a fresher feel than most of his recent movies, that's because it's a remake of his own short film.

The original was live action, a black comedy about a boy who zombifies his pet pooch using Frankenstein-esque science. The spiffy new version is stop-motion animation, which suits the material well -- a mix of heartfelt pathos and creepy-crawly horror movie elements.

Victor (voiced by Charlie Tahan) is crushed when his beloved dog Sparky is, er, crushed in a car accident. Indirectly inspired by his eccentric science teacher, Victor jolts the canine alive with electricity. But then the other kids in the neighborhood discover the trick, and soon the whole town is overrun with zombie pets.

The animation is truly spectacular, dark in palette but joyful in its intricacy and attention to detail. I loved how many of the individual children resemble horror-flick denizens, like the blonde girl who looks like she stepped out of "Village of the Damned."

Despite the subject matter, "Frankenweenie" is sweet-natured and should be suitable for all but the smallest children. And adults will enjoy the references to classic horror creatures, especially the classic Universal Studios menagerie.

The film comes with a decent array of video extras, though you'll have to shell out for a higher price point Blu-ray edition to get the best stuff. The DVD comes only with one featurette, a "Touring Exhibit" of the Frankenweenie world, plus a music video.

Upgrade to the two-disc Blu-ray/DVD combo pack, and you add Burton's original "Frankenweenie" live-action short, the making-of doc "Miniatures in Motion: Bringing 'Frankenweenie' To Life" and an original animated short, "Captain Sparky vs. The Flying Saucers."

The four-disc combo pack also includes 3-D and digital copies of the film.

Movie: 3 stars out of four
Extras: 3 stars

Review: "Frankenweenie"

"Frankenweenie" is another repackaging of previously used material from Tim Burton, but its dazzling black-and-white stop-motion animation and sweet tone -- despite the creepy horror film undertones -- wins the day.

This movie is a remake of Burton's own live-action short film from 1984 that launched his career: misfit boy heartbroken over the death of his dog reanimates the pooch using mad-scientist methods. But Burton and screenwriter John August use this concept merely as a launching pad to deliver an homage to classic horror film tropes, especially the Universal menagerie of creature features.

I really loved how the entire cast of characters, even the supposed "normals" like Victor Frankenstein's mom and dad, seem a little sinister and hollow around the eyes. Victor himself (voiced by Charlie Tahan) is a slightly morose loner who likes to tinker with making movies (stop-motion, of course) and experimenting in his suburban family attic.

Things get especially good when we get to Victor's classmates, every one of whom looks like they stepped out of a classic horror flick.

There's the blonde girl with the spaced expression who seems to be straight from "Village of the Damned," the tall kid with the Frankenstein monster's shoulders and Peter Lorre's lisp, and so on.

Best of all is Edgar E. Gore (get it?), a humpbacked kid with a three-tooth overbite from hell.

Deliciously voiced by Atticus Shaffer, Edgar acts as Victor's toadying sidekick-turned-blackmailer, demanding that Victor teach him the secret to pet resurrection. Of course, he spills the beans to other kids and soon all sorts of terrifying creatures are besieging the town of New Holland.

The inside joke is that, other than Victor, the children aren't doing this because of their love of knowledge or the desire to get their critter companions back. No, they're all out to win the prize at the Science Fair.

"They like what science gives them, but not the questions that science asks," laments Victor's condescending-but-wise teacher Mr. Rzykruski (Martin Landau), who resembles Vincent Price and comes from a vague Eastern European country where, he says, even his plumber has a Nobel Prize.

Victor is the only one with pure motives. He absolutely adores Sparky, a scrappy little mongrel who resembles a Jack Russell Terrier interbred with a throw pillow. Alas, Sparky wanders into traffic and is smushed. When Victor witnesses Mr. Rzykruski use electricity to stimulate the muscles of a dead frog, it's not long before he's brought back Sparky in zombie form.

Sparky doesn't realize he's undead, though the fact that his tail or ear keeps falling off might serve as a hint. He's criss-crossed by stitches and has two metal bolts sticking out of his neck -- which Victor uses to "recharge" him from time to time -- but is more or less the same joyful pup.

The film takes almost an hour to really get going, but by the time the town carnival is being assaulted by giant reptiles and a mummy gerbil, it's a genuine hoot.

Despite the tame PG rating, I wouldn't recommend "Frankenweenie" for very small children, who might find the dead pets and scary moments a bit too much.

The great cast is rounded out by Martin Short and Catherine O'Hara, each of whom voice several characters, and old Burton standby Winona Ryder as the Goth girl next door.

"Frankenweenie" is an amalgam of previous stories and themes Tim Burton has been churning out for nearly three decades now. Even if, like Sparky, it's not exactly fresh anymore, there's still some juice in there.

3 stars out of four

Video review: "Treasure Planet: 10th Anniversary Edition"

Even Disney occasionally makes a bad animated movie, but "Treasure Planet" isn't one of them.

This 2002 blend of hand-drawn animation and CGI was a dazzling science fiction version of Robert Louis Stevenson's classic, "Treasure Island." Alas, not too many people thought so -- it was savaged by critics and bombed at the box office. The directing team of  Ron Clements and John Musker, who'd made hits like "Aladdin" and "The Little Mermaid," were effectively marooned and didn't make another movie for seven years.

I'm glad to see the House That Walt Built is giving "Treasure Planet" a nice present with a handsome 10th Anniversary Edition Blu-ray release.

The bones of Stevenson's novel are there, but with a sci-fi twist smattered with zany cartoon sidekicks and villains. Jim Hawkins is a teen rapscallion who longs to escape the drudgery of working in his mother's inn, when a dying pirate gives him a star map to an entire planet filled with riches. Chased by marauders, they commission a ship to find the treasure.

But John Silver, posing as a humble ship's cook, is planning mutiny. Little did the old swashbuckler know he'd take such a shine to young Jim.

An engaging voice cast includes Joseph Gordon-Levitt, Brian Murray, Martin Short, David Hyde Pierce, Michael Wincott and Emma Thompson. The cast of characters includes a feline ship's captain (who nonetheless takes a shine to Jim's canine professorial friend), android crewmates and a robot left all alone on an empty planet, Wall·E-like, who's missing a few important circuits.

Hopefully a few of the many folks who missed this gem a decade ago will pick it up and discover a little bit of lost treasure.

Bonus features are as good as you'd expect from a special edition like this. Clements, Musker and some of the film's producers take part in a pop-up commentary that includes additional footage of the film. There are deleted scenes, including a different ending and prologue, music video and a featurette, "The Life of a Pirate Revealed."

Movie: 3.5 stars out of four
Extras: 3 stars

Review: "Madagascar 3: Europe's Most Wanted"

I have not been a fan of the "Madagascar" animated films, but the third one won me over. Perhaps it's a result of my becoming a parent, but I see now how the franchise's combination of kid-friendly boingy action, annoyingly catchy musical numbers and cutesy, simplistic life lessons is never dull to the kindergarten-and-down crowd.

After the packed screening I attended, literally dozens of tots were shaking their booties in the aisles as they imitated the tunes, especially a particularly egregious ditty called "Afro Circus," written and sung by Chris Rock. It consists of just those two words with a few "polka dot" throw-ins, but apparently to wee ones this is sublime comedic styling.

By all rights we should judge our entertainment by a higher standard than just keeping our offspring distracted for an hour and a half. But that's the yardstick by which "Madagascar 3: Europe's Most Wanted" operates, and judged in those terms it's slickly effective.

As the story opens, the gang from the zoo finds themselves stuck in Africa, wanting to get back to their home in New York City. Their friends the penguins, who talk like spies out of the "Mad Men" era, have ditched them to play high rollers at the casinos in Monte Carlo, so that's where they follow.

The group dynamic remains virtually unchanged since the birth of the franchise. Alex the lion (Ben Stiller) is the ostensible leader, who puts on a brave face but has a neurotic craving for attention. His best bud Marty the zebra (Rock) is the goofy sidekick who sometimes yearns to be leader of the pack. Hypochondriac giraffe Melman (David Schwimmer) and groovy hippo Gloria (Jada Pinkett Smith) have hooked up into an interspecies couple, the sheer mechanics of which beggars the imagination.

While in Monte Carlo they run afoul of Captain Chantel DuBois, head of the animal control unit. Voiced by Frances McDormand, DuBois makes for a dastardly Ahab-like villain who chases the gang all over the globe, jurisdiction be danged. With her hook-sharp nose, roomy hips and squared shoulders, DuBois is a formidable enemy.

Alex and the gang end up hiding out with the Circus Zaragoza, a motley collection of animals whose act has grown stale. Passing themselves off as fellow circus critters, the four friends resolve to add some Cirque du Soleil extravagance into the drab proceedings.

The new partners include Stefano, an exuberantly Italian sea lion (Martin Short) who dreams of being considered of average intelligence; Gia (Jessica Chastain), a feline trapeze artist who rests her hopes -- and affections -- on Alex; and Vitaly (an excellent Bryan Cranston), a Russian daredevil tiger and one-time star of the show, who got burned performing his signature act.

I should also mention Julien, the lemur king voiced by Sacha Baron Cohen, who's back to sing his "move it, move it" song again and supply some mildly suggestive humor. The computer-generated animation is a smash, particularly a couple of the big circus show numbers, which grow pleasantly psychedelic for awhile.

Eric Darnell and Tom McGrath, who co-directed the first two movies, are joined by Conrad Vernon for a threesome that knows this material and its limitations, and focuses on what it can do best. Darnell also handles the screenplay, joined by indie filmmaker Noah Baumbach, best known for eclectic fare like "The Squid and the Whale" and "The Life Aquatic with Steve Zissou." (Someone need a paycheck?)

I'm not sure if I'd call "Madagascar 3" good bad movie-making, or bad good. Either way, I grudgingly admire the way it expertly achieves its own low expectations. This positive review is not so much a recommendation as a surrender.

3 stars out of four