Fearless Oscar predictions 2019

Well, I can at least guarantee you that none of these predictions will be played during the commercial break.

I'm not sure whats up at the ol' Academy of Motion Pictures Arts & Sciences lately. They've grown rather flip-floppy. A while back they announced they would add another category for best popular film -- a brazen attempt to curry mainstream favor by giving out nominations to blockbuster hits. Quickly dubbed the "Black Panther Award," it was wisely withdrawn.

Then Kevin Hart was tapped as host, then he wasn't, then maybe he was again, and now there will be no host at all.

Finally, barely more than a week out from the festivities, the Academy said they planned to give out four awards during the commercial breaks -- including cinematography. Ludicrous. Outside of the director and screenwriter, the director of photography is (not really) arguably the most important member of the creative team.

Again, wiser heads prevailed... begging the question of where they were to begin with.

So here are my annual picks and predictions for the Oscars. As always, I provide my prediction of who will win, and my pick of who I think should win. And, in a tradition I think is unrivaled for pure chutzpah, I cross out the names of some nominees who I deem undeserving and replace them with better candidates -- the dreaded (and desperately in need of a © mark) "Chris Cross."

Best Picture

The Nominees: 
“Black Panther”
“BlacKkKlansman”
“Bohemian Rhapsody”
“The Favourite”
“Green Book”
“Roma”
“A Star Is Born”
“Vice”

The Chatter: I'm sad to say this year has become a "Roma" train, and nothing's going to slow it down. Three top rivals -- "A Star Is Born," "Green Book" and "Bohemian Rhapsody" -- have all faced backlash campaigns.

For "Star," I think there's an anti-Lady Gaga resentment out there. Hollywood likes for stars to stay in their lane. Don't try to be the biggest singer in the world and a movie star, too, goes the thinking.

"Rhapsody" exaggerated the extent to which the members of Queen were estranged from each other and moved up the year when Freddie Mercury found out he had AIDS. Pretty standard historical fudging, by Hollywood standards.

The criticism of "Green Book" is less coherent. First it was a "magical Negro movie," then it was a "white savior movie," then director Peter Farrelly got #MeToo'd for showing his wang on the sets of his gross-out comedies in the '90s, then co-star Viggo Mortensen said the n-word during the press tour, then the co-screenwriter (the real-life son of Viggo's character) retweeted something he wasn't supposed to, then Don Shirley's family resented the movie's implication they weren't very close. (Hint: Shirley said so himself.)

It was my favorite movie of the year, and I'm confused and vexed by the attacks on it. The film is like an actual screen -- people are projecting their own biases and distortions on it instead of judging the movie for what it is. It's the ultimate irony for a story all about individuals growing beyond their own bubble.

My thoughts on "Roma" are known -- it's the sort of movie critics and other filmmakers love and audiences have to endure. The first hour is pure death, and the character of the maid never gets any kind of interior.

Still, if there's a stalking horse, it's "Green Book." The film's treatment has been so unfair, there's a bit of a backlash building against the backlash. Plus industry people are a bit worried about giving their top prize to a streaming service movie that got a barely-there theatrical run.

"Vice" is an unabashed hatchet job that tries to steal the M.O. of "The Big Short" but forgets to be funny. "Black Panther" is, at best, the third-best superhero movie of 2018. “BlacKkKlansman” is Spike Lee's best movie in a decade but doesn't deserve a spot alongside "Malcolm X" and "Do the Right Thing." Lots of better choices out there.

Prediction: "Roma"

Pick: "Green Book"

Chris Cross: I'll replace "Vice," "BlacKkKlansman," "Roma" and "Black Panther" with "The Hate U Give," "Avengers: Infinity War," "The Wife" and "Cold War."

Best Actress

The Nominees: 
Yalitza Aparicio, “Roma”
Glenn Close, “The Wife”
Olivia Colman, “The Favourite”
Lady Gaga, “A Star Is Born”
Melissa McCarthy, “Can You Ever Forgive Me?”

The Chatter: I'm glad to say Glenn Close has this thing locked up, as she should. The Best Actress award has historically favored young ingenues, whereas Best Actor has a tradition of "it's his time." This year Hollywood is aching to give glory to an actress who's been very good for a very long time, nominated for six Oscars prior without winning.

Plus, she's simply the best. "The Wife" is a masterful performance, one mask inside another.

Lady Gaga was solid, deserves the nomination but not the award. It's hard to believe the most famous person in the world as a nobody, and she convinced me. Melissa McCarthy was terrific in a career-changing turn few people actually saw.

I'm embarrassed by the inclusion of Olivia Colman and Yalitza Aparicio. The former, because it's clearly a supporting performance and this rampant category-hopping has got to stop somewhere. The latter, because she's a non-actress and it shows.

Prediction: Glenn Close

Pick: Glenn Close

Chris Cross: I'll replace Yalitza Aparicio and Olivia Colman with Rachel Weisz -- from "Disobedience," not "The Favourite" -- and Nicole Kidman from "Destroyer."

Best Actor

The Nominees: 
Christian Bale, “Vice”
Bradley Cooper, “A Star Is Born”
Willem Dafoe, “At Eternity’s Gate”
Rami Malek, “Bohemian Rhapsody”
Viggo Mortensen, “Green Book”

The Chatter: This one appears to be Christian Bale's to lose, and I'm fine with that despite my overall distaste for "Vice." It's such a mesmerizing transformation that after a few minutes you don't even question that it's Dick Cheney. The look, the speech, the mannerisms -- spot on.

Plus, Hollywood loves nothing more than to demonize a Republican.

Personally I'll take Bradley Cooper. I thought he gave a very subtle, heartfelt performance as a man who everyone thought had it all, but felt empty and lost inside. A close third would be Rami Malek as Freddie Mercury -- someone I would've called inimitable until Malek did it. He's been courting aggressively on the awards circuit, so he could sneak in with a win.

Mortensen was great, though Mahershala Ali was a co-equal lead -- I think relegating him to the supporting category is part of the grievance against "Green Book." I was glad to see Willem Dafoe sneak in for the tiny, lovely "At Eternity's Gate."

Hard to knock anyone out of a very deserving field, though I would've liked to see Ethan Hawke recognized for "First Reformed." He's in the midst of the richest part of his acting career, though in smaller films few people see.


Prediction: Christian Bale

Pick: Bradley Cooper

Chris Cross: I'll replace Dafoe with Hawke. I'd also like to see Jason Clarke from "Chappaquiddick," but I can't find a spot for him.

Best Supporting Actress

The Nominees: 
Amy Adams, “Vice”
Marina de Tavira, “Roma”
Regina King, “If Beale Street Could Talk”
Emma Stone, “The Favourite”
Rachel Weisz, “The Favourite”

The Chatter: The ridiculousness of having Emma Stone, the main character in "The Favourite," in this category is galling. You could make an argument that Weisz is a supporting performance -- I'd swing against it, but it's a reasonable position. But calling Stone's character anything other than the protagonist is a strike against credulity.

But it's become a favored tactic, campaigning for the lower category for a better shot at winning, and one that's worked. See: Viola Davis in "Fences."

Regina King will win, and deserves to. She's the best thing about "If Beale Street Could Talk," a gorgeous film whose two main characters don't really connect with the audience.

Prediction: Regina King

Pick: Regina King

Chris Cross: I'll replace Amy Adams and Marina de Tavira with Nicole Kidman from "Boy Erased" and Olivia Colman, putting her where she belongs.

Best Supporting Actor

The Nominees: 
Mahershala Ali, “Green Book”
Adam Driver, “BlacKkKlansman”
Sam Elliott, “A Star Is Born”
Richard E. Grant, “Can You Ever Forgive Me?”
Sam Rockwell, “Vice”

The Chatter: Historically this has been one of the most competitive categories, but the field is a little thin this year. Mahershala Ali has nearly run the table on the preliminary awards and seems slated for another win. I still think it's a leading performance, but he was put here because the studio doesn't want him to compete with his co-star, Mortensen.

Richard E. Grant was also very good, so I'd dub him the closest competition. I'll take him as my pick as the best of the actual supporting performances. I'm a big Sam Elliott fan and think he got screwed last year for "The Hero," but he only really has one substantive scene in "A Star Is Born."

The one nomination here that really rubs me the wrong way is Sam Rockwell. He was doing a "Saturday Night Live"-level impersonation of George W. Bush, played for broad laughs. Steve Carell had a much meatier part, and made the most of it, in the same movie.

Ironically, the one actor I really wanted to see here was Jonah Hill. He's received a couple of nominations I don't think he deserved, and then he pulled out a real humdinger in a non-comedic role in "Don't Worry, He Won't Get Far on Foot." Can't wait to see what he does next.

Prediction: Mahershala Ali

Pick: Richard E. Grant

Chris Cross: I'll replace Mahershala Ali, Sam Rockwell and Sam Elliott with Jonah Hill, Steve Carell and Russell Hornsby from "The Hate U Give."

Best Original Screenplay

The Nominees: 
“The Favourite,” Deborah Davis, Tony McNamara
“First Reformed,” Paul Schrader
“Green Book,” Nick Vallelonga, Brian Currie, Peter Farrelly
“Roma,” Alfonso Cuarón
“Vice,” Adam McKay

The Chatter: This category could go any which way. Typically original screenplay has been used to recognize a small film by up-and-comers. None of the nominees really fit that mold. "Eighth Grade" would be a prototypical winner, and took the Writers Guild Award, but it's not even nominated here.

If you can believe it, this is the first Oscar nomination for the 72-year-old Schrader, the scribe behind "Taxi Driver," "Raging Bull" and other iconic films. I'd love to see him win, but "First Reformed" is a pretty out-there choice. The last act probably seems bonkers on paper, but I think it rings emotionally true.

Nick Vallelonga of "Green Book" has been tainted for retweeting Trump, so that's out. Cuarón is going to win at least three Oscars already -- Best Picture, Best Foreign Language film and Best Director -- so Academy voters will be tempted to spread the love. Plus, there's about a page-and-a-half of actual story there.

"The Favourite" would be the safest choice, a period costume drama. But it has a lesbian angle, so that will be enough to make it an edgy choice. I think it's 9/10ths of a great script that failed to stick the landing. It doesn't end, it just stops.

Prediction: "The Favourite"

Pick: "First Reformed"

Chris Cross: I'll replace "Vice" and "Roma" with "Chappaquiddick" and "Sorry to Bother You."

Best Adapted Screenplay

The Nominees: 
“The Ballad of Buster Scruggs,” Joel Coen , Ethan Coen
“BlacKkKlansman,” Charlie Wachtel, David Rabinowitz, Kevin Willmott, Spike Lee
“Can You Ever Forgive Me?,” Nicole Holofcener and Jeff Whitty
“If Beale Street Could Talk,” Barry Jenkins
“A Star Is Born,” Eric Roth, Bradley Cooper, Will Fetters

The Chatter: "Can You Ever Forgive Me?" was a surprise winner at the WGAs, so it's got a shot. It's a terrific tale -- the blackest sort of comedy. I think people like "Beale Street" but recognize it's not as good as "Moonlight."

There seems to be a real effort to praise Spike Lee. He's not going to win best director so people want to see him win somewhere else. He's been in the wilderness for the last 20 years after a strong career start, so I think he has a good shot.

Normally I'd say "The Ballad of Buster Scruggs" has the Netflix taint, but it doesn't seem to be hurting "Roma."

For my pick it comes down to "Forgive Me" and "A Star Is Born." I could swing either way, so let's.

Prediction: "BlacKkKlansman"

Pick: "A Star Is Born"

Chris Cross: I'll replace "The Ballad of Buster Scruggs," "BlacKkKlansman" and "If Beale Street Could Talk" with "The Wife," "The Hate U Give" and "Love, Simon."

Best Director

The Nominees: 
Spike Lee, “BlacKkKlansman”
Pawel Pawlikowski, “Cold War”
Yorgos Lanthimos, “The Favourite”
Alfonso Cuarón, “Roma”
Adam McKay, “Vice”

The Chatter: I've pointed this out in other venues, but if Cuarón wins as expected, it would mark nine out of the last 10 times the best director award has been a person of color, a woman or a foreign-born person. Take that, diversity mavens.

Cuarón has run the table on the other awards, including the Directors Guild Award, which is so predictive it's easier to count the number of times the DGA winner didn't take the Oscar than did.

I'm not a big fan of this field. I loved seeing my favorite foreign language film, "Cold War," being recognized here and in cinematography. But I wouldn't have kicked out Bradley Cooper for his slot.

Yorgos Lanthimos, the king of kooky auteur projects, was brought in as a hired hand for "The Favourite" and mostly contained his penchant for excesses, other than a few fish-eye lens shots. McKay's "Vice" never could see around the writer/director's bile to tell a real story.

For my money, the best directed movie of the year was Debra Granik's "Leave No Trace," a film of pure stillness and empathy.

Prediction: Alfonso Cuarón

Pick: Pawel Pawlikowski

Chris Cross: Screw it. I'll kick the whole field and swap them out with Peter Farrelly for "Green Book," Bryan Singer (and the guy who finished the film) for "Bohemian Rhapsody," George Tillman Jr. for "The Hate U Give," Debra Granik for "Leave No Trace" and Bradley Cooper for "A Star Is Born."

Best Documentary Feature

The Nominees: 
“Free Solo,” Jimmy Chin, Elizabeth Chai Vasarhelyi
“Hale County This Morning, This Evening,” RaMell Ross
“Minding the Gap,” Bing Liu
“Of Fathers and Sons,” Talal Derki
“RBG,” Betsy West, Julie Cohen

The Chatter: I haven't seen "Hale County" or "Of Fathers and Sons." "RBG" was my favorite doc. I also really liked "Shirkers." Despite the outcry, I don't mind seeing "Won't You Be My Neighbor?" left off this list -- like Mr. Rogers and his show, I found it nice, and a little dull. "Free Solo" has a strong shot to win, though I found it hard to connect with its subject, a witless man/child who risks his life for no reason.

Prediction: "RBG"

Pick: "RBG"

Chris Cross: Trade the rambling "Minding the Gap" for "Shirkers."

Best Documentary Short

The Nominees: 
“Black Sheep,” Ed Perkins
“End Game,” Rob Epstein, Jeffrey Friedman
“Lifeboat,” Skye Fitzgerald
“A Night at the Garden,” Marshall Curry
“Period. End of Sentence.,” Rayka Zehtabchi

The Chatter: I didn't get to see any of these this year. The only one I hear buzz about is "Black Sheep."

Prediction: "Black Sheep"

Best Animated Feature

The Nominees: 
“Incredibles 2,” Brad Bird
“Isle of Dogs,” Wes Anderson
“Mirai,” Mamoru Hosoda
“Ralph Breaks the Internet,” Rich Moore, Phil Johnston
“Spider-Man: Into the Spider-Verse,” Bob Persichetti, Peter Ramsey, Rodney Rothman

The Chatter: Could this be the year the non-Disney or -Pixar film actually wins? They've taken the prize 10 out of the last 11 years and their two entries are both subpar sequels.

The animated feature game has been lackluster for a few years now. They really struggle to fill out this category with five worthy nominees.

Prediction: “Spider-Man: Into the Spider-Verse”

Pick: "Isle of Dogs"

Chris Cross: I don't have replacements, but neither "Ralph Breaks the Internet" or "Incredibles 2" deserves to be here.

Best Animated Short

The Nominees: 
“Animal Behaviour,” Alison Snowden, David Fine
“Bao,” Domee Shi
“Late Afternoon,” Louise Bagnall
“One Small Step,” Andrew Chesworth, Bobby Pontillas
“Weekends,” Trevor Jimenez

The Chatter:Disney/Pixar almost always runs the table in this category.
 
Prediction: "Bao"

Pick: “One Small Step"

Best Live Action Short

The Nominees: 
“Detainment,” Vincent Lambe
“Fauve,” Jeremy Comte
“Marguerite,” Marianne Farley
“Madre,” Rodrigo Sorogoyen
“Skin,” Guy Nattiv

Prediction: "Madre"

Pick:"Skin"

Best Foreign Language Film

The Nominees: 
“Capernaum” (Lebanon)
“Cold War” (Poland)
“Never Look Away” (Germany)
“Roma” (Mexico)
“Shoplifters” (Japan)

The Chatter: Other than ordained winner "Roma," this is actually a really good list. "Cold War" is my favorite but I also adored "Shoplifters" and "Capernaum." There's a slight chance "Cold War" could win since "Roma" is going to collect bigger prizes.

Prediction: "Roma"

Pick: "Cold War"

Chris Cross: Let's translate "Roma" into "Let the Sunshine In."

Best Cinematography

The Nominees: 
“Cold War,” Lukasz Zal
“The Favourite,” Robbie Ryan
“Never Look Away,” Caleb Deschanel
“Roma,” Alfonso Cuarón
“A Star Is Born,” Matthew Libatique

The Chatter:  I won't deny the extraordinary beauty of "Roma," despite how I feel about it. Interesting to have four foreign films, including three foreign language ones, out of five.

Prediction: "Roma"

Pick: "Cold War"

Chris Cross: I'll stand pat with this list.

Best Film Editing

The Nominees: 
“BlacKkKlansman,” Barry Alexander Brown
“Bohemian Rhapsody,” John Ottman
“Green Book,” Patrick J. Don Vito
“The Favourite,” Yorgos Mavropsaridis
“Vice,” Hank Corwin

The Chatter: It's interesting that Alfonso Cuarón didn't get nominated here, since he edits his own films and previously won an Oscar for "Gravity." But there really isn't much editing in "Roma," which largely consists of long, panning shots.

Tough call here. None of these are action-oriented films that get a chance to show off fancy editing.

Prediction: "Vice"

Pick: “Bohemian Rhapsody”

Best Sound Editing

The Nominees: 
“Black Panther,” Benjamin A. Burtt, Steve Boeddeker
“Bohemian Rhapsody,” John Warhurst
“First Man,” Ai-Ling Lee, Mildred Iatrou Morgan
“A Quiet Place,” Ethan Van der Ryn, Erik Aadahl
“Roma,” Sergio Diaz, Skip Lievsay

The Chatter: Time for my annual primer on sound editing vs. sound mixing: sound editors are responsible for selecting or creating all the sounds you hear in a production, while a sound mixer assembles it all together. Editors do most of their work during production, while mixing is a post-production role. Don't feel bad if you don't understand the difference; most Academy voters don't, either.

Prediction: "First Man"

Pick: "Bohemian Rhapsody"

Best Sound Mixing

The Nominees: 
“Black Panther”
“Bohemian Rhapsody”
“First Man”
“Roma”
“A Star Is Born”

Prediction: "Bohemian Rhapsody"

Pick: "Bohemian Rhapsody"

Best Production Design

The Nominees: 
“Black Panther,” Hannah Beachler
“First Man,” Nathan Crowley, Kathy Lucas
“The Favourite,” Fiona Crombie, Alice Felton
“Mary Poppins Returns,” John Myhre, Gordon Sim
“Roma,” Eugenio Caballero, Bárbara Enrı́quez

The Chatter: This category often comes down to science fiction vs. costume drama, and the latter usually wins.

Prediction: “The Favourite"

Pick: “Mary Poppins Returns"

Best Original Score

The Nominees: 
“BlacKkKlansman,” Terence Blanchard
“Black Panther,” Ludwig Goransson
“If Beale Street Could Talk,” Nicholas Britell
“Isle of Dogs,” Alexandre Desplat
“Mary Poppins Returns,” Marc Shaiman, Scott Wittman

The Chatter: I loved the weird, moving, atonal score for "If Beale Street Could Talk." I think Alexandre Desplat gets nominated every year; he's the new John Williams.

Prediction: “If Beale Street Could Talk”

Pick: “If Beale Street Could Talk”

Best Song

The Nominees: 
“All The Stars” from “Black Panther” by Kendrick Lamar, SZA
“I’ll Fight” from “RBG” by Diane Warren, Jennifer Hudson
“The Place Where Lost Things Go” from “Mary Poppins Returns” by Marc Shaiman, Scott Wittman
“Shallow” from “A Star Is Born” by Lady Gaga, Mark Ronson, Anthony Rossomando, Andrew Wyatt and Benjamin Rice
“When A Cowboy Trades His Spurs For Wings” from “The Ballad of Buster Scruggs” by David Rawlings and Gillian Welch

The Chatter: The cowboy song from "Buster Scruggs" is oddly the most singable of the bunch. Lady Gaga seems destined to notch another letter on the way to her EGOT.

Prediction: "Shallow"

Pick: "Shallow"

Best Makeup and Hair

The Nominees: 
“Border”
“Mary Queen of Scots”
“Vice”

The Chatter: This usually goes to the biggest physical transformation, especially turning a lean, beautiful person into an old, fat one. Odd that "Stan & Ollie" didn't get a nod; John C. Reilly's transformation was at least as impressive as Christian Bale's, and he didn't even gain weight for the role.

Prediction: "Vice"

Pick: "Vice"

Chris Cross: Only three nominees here so no need to cross anyone out to add "Stan & Ollie."

Best Costume Design

The Nominees: 
“The Ballad of Buster Scruggs,” Mary Zophres
“Black Panther,” Ruth E. Carter
“The Favourite,” Sandy Powell
“Mary Poppins Returns,” Sandy Powell
“Mary Queen of Scots,” Alexandra Byrne


Prediction: "The Favourite"

Pick: "Mary Queen of Scots"

Best Visual Effects

The Nominees: 
“Avengers: Infinity War”
“Christopher Robin”
“First Man”
“Ready Player One”
“Solo: A Star Wars Story”

The Chatter: The best superhero flick of the year will get its due.

Prediction: “Avengers: Infinity War”

Pick: “Avengers: Infinity War”

Video review: "Black Panther"

I thoroughly enjoyed “Black Panther,” though I was mystified by the nigh-orgiastic fervor with which others received it. If I were to rank the entire Marvel Comics Universe (MCU) flicks from top to bottom, I’d put this one about square in the middle.

It’s a beautiful-looking film filled with action and dominated by a lordly, charismatic central figure. Chadwick Boseman plays T’Challa, recently anointed king of Wakanda, and also the beneficiary of a super-suit and mystical potion that turn him into the titular hero, protector of the kingdom.

But the main villain doesn’t make much of an impact. Michael B. Jordan plays Erik Kilmonger, an American special forces mercenary with a very personal connection to Wakanda. I’m a big fan of Jordan’s talents, but the script gives him little more to do than strut and spew ‘hood bravado, which stands in such stark contrast to the lilting, graceful accents of T’Challa and his subjects.

To the rest of the world, Wakanda is another backward little African nation, shrouded in poverty and isolated mystery. In reality, they’re the most technology advanced nation on Earth. Letitia Wright plays Shuri, the king’s kid sister and brilliant chief scientist.

Danai Gurira is Okoye, leader of the royal elite guard, who are all bald-headed, badass women. Daniel Kaluuya is W’Kabi, T’Challa’s oldest friend and ally, while Winston Duke plays a tribal rival. Martin Freeman is the token white, a Western spy who mostly just gets in the way.

Directed by Ryan Coogler, who co-wrote the script with Joe Robert Cole, “Black Panther” is an exciting spectacle with some very familiar heroic story arcs. There’s an understandable amount of excitement about having such an audacious launch to a superhero franchise featuring an African-American protagonist.

Though, as I keep having to remind people, the superhero movie craze really got started 20 years ago with “Blade.” I’ll still take the first film of that franchise over that of “Panther.”

Bonus features are quite princely. They include a director’s introduction, roundtable discussion of the script, deleted scenes, gag reel, feature-length audio commentary track by Coogler, an overview of the first 10years of the Marvel Comics Universe (MCU), as well as four making-of mini-documentaries touching on various aspects of production.

Movie:



Extras: 

Review: "Black Panther"

S’Ok.

Pretty good, even.

But the superhero movie to end all superhero movies? C’mon.

“Black Panther” is an invigorating but hardly revolutionary entry into the Marvel Comics Universe, taking the African king who wears a (mostly) indestructible cat suit we saw in the last Avengers movie and draping a colorful backstory around him. Chadwick Boseman plays T’Challa, ruler of the fictional kingdom of Wakanda, in a calm and charismatic performance that foretells many happy returns for this character in future MCU movies.

Rather than a traditional origin story, we get the fall-from-grace saga: T’Challa assumes the throne after the death of his father, and with it the powers -- courtesy of a mysterious flower pod -- and costume of the Black Panther. But almost just as quickly, he finds his leadership in question and his very claim to the throne challenged.

Directed by Ryan Coogler (“Fruitvale Station”) from a script he co-wrote with Joe Robert Cole, “Black Panther” will resonate with some for its nods to the Black Power movement of the 1960s and its more recent echoes. White characters are few; when they do show their faces are derided as “colonialists;" and the taint of slavery is frequently brought up in describing the fate of black people, both in America and Africa.

But these aspects struck me -- a white kid from the suburbs -- as merely fashionable put-ons for the young and hip, flashy decorations over the familiar bones of superhero tropes.

T’Challa operates as a sort of royal James Bond who’s not just an agent of the coolest cloak-and-dagger outfit in the world, but is actually running the whole show. He’s even got his own Q-like gadgetmaster, in the form of his kid sister, Shuri (Letitia Wright), concocting playful new toys to augment his super-suit.

Wakanda is viewed as a poor third-world nation, but actually is the most technologically advanced people on Earth, helped by a vast store of vibranium that fell there in the form of a meteor long ago. The strongest substance in the universe -- but wait, I thought that was supposed to be admantium? -- vibranium has all sorts of cool abilities to absorb and transmit energies. This allows Black Panther not only to jump and scratch, but set off mini sonic explosions.

It seems a nasty mercenary named Ulysses Klaue (Andy Serkis) stole a store of vibranium 25 years ago, and now it falls to T’Challa to bring him to justice. He’s helped by Okoye (Danai Gurira), the head of his personal guard, who are all very stern-looking, bald women, as well as Nakia (Lupita Nyong’o), a Wakandian spy who also happens to be T’Challa’s ex.

The X-factor, who shows up rather late in the game, is Michael B. Jordan as Killmonger, an American former special ops soldier/assassin who at first appears to be working for Klaue, but turns out to have a very dark connection to Wakanda, which I’ll not spoil here.

Also turning up are Martin Freeman as a helpful, if naïve CIA agent; Angela Bassett as the queen mother; Forest Whitaker as the Wakanda high priest; Daniel Kaluuya as T’Challa’s best pal; Winston Duke as the head of a rival tribe; and Sterling K. Brown as another member of the royal family.

“Black Panther” certainly is one of the most visually sumptuous films in the MCU, with a pageant of bright costumes, stunning CGI technology and colorful vistas. The hidden Wakanda capital city looks like some glorious cross between “Blade Runner” and “Zootopia.”

I enjoyed the movie, but didn’t come close to being blown away by it. The hype machine has been cranked to 11 for this film, which turns out to be a low 7, at best.

Eight for '18: Year in film preview

I'm changing things up this year by presenting a truncated year in film preview, rather than the comprehensive one I usually do. I'm doing this for a couple of reasons:

• I'm busy as sh*t.
• There are literally six million 2018 movie previews out there, and I'd rather do my own thing than join the content farm lemmings.

So I present "Eight for '18" -- the eight films I'm most anticipating this year. Please note, these are the flicks I am looking forward to, not necessarily what would come up under a "most anticipated" poll. So don't be shocked because you don't see "Avengers: Infinity War" or some of the other big titles out there.

(Also, please note I left "Black Panther" off because it's coming out in just a couple of weeks, and I wanted to give readers more of a look further down the road. Suffice it to say I'm also stoked about that one. The early word on it has been nigh-orgiastic fervor, which is exciting but also... disturbing.)

In chronological order:

Isle of Dogs

March 23

I've been very up and down on the films of Wes Anderson -- you would literally have to threaten me with the removal of a key body part to get me to watch "The Life Aquatic with Steve Zissou" again -- but I absolutely adored his foray into stop-motion animation, "Fantastic Mr. Fox." He's back with this Japanese-inspired tale of a boy searching for his dog in the secret land of exiled canines that includes voices by W.A. regular Bill Murray, Tilda Swinton, Edward Norton as well as Scarlett Johansson and Bryan Cranston.

Pacific Rim Uprising

March 23

What?? Two of my favorite picks debuting on the same day?!? Hopefully they won't cancel each other out at the box office. Guillermo del Toro isn't at the helm, which is concerning. But John Boyega -- using his actual British accent! -- stars as the son of Stacker Pentecost, who teams up with Mako Mori to lead a new generation of pilots of skyscraper-sized robots to take on a new threat of Kaiju monsters.

Ready Player One

March 30

Steven Spielberg tackles the dense, page-turning sci-fi novel about a dystopian future in which everyone is connected (and imprisoned) by technology, existing mostly in a Matrix-like video game universe called the Oasis. It's like World of Warcraft, but, f'reals. It's sure to be visually stunning, as well as an amusement ride of '80s pop culture references for tickle Gen X erogenous zones. I'll just be curious to see how they locked down the intellectual property rights to all the stuff in the book. If I don't get to see Ultraman blasting spaceships out of the sky...

Solo: A Star Wars Story

May 25

The production on this Star Wars prequel looking at the pre-Rebellion life of Han Solo got off to a famously rough start, with the original directors departing the project in favor of Ron Howard. Can Alden Ehrenreich pull off a Harrison Ford impression? He was the best thing about the underwhelming "Hail, Caesar!" as a dimwitted cowboy star, so fingers crossed. Also excited about Donald Glover a s a young Lando Calrissian. I personally am holding out for the big-screen adaptation of "Lando Calrissian and the StarCave of ThonBoka."

The Incredibles 

June 15

It's interesting that for yours Pixar Animation held off on making any sequels outside the "Toy Story" universe, even though one -- the story of an entire family of super-heroes -- seemed most primed for sequelization. Writer/director Brad Bird is back in the hot seat, and the story is very hush-hush, other than Elastigirl (Holly Hunter) is off saving the world while Mr. Incredible (Craig T. Nelson) is left to babysit pint-sized firecracker Jack-Jack. No word on who the new villain(s) is/are, but I'd guess either Bob Odenkirk or Jonathan Banks will provide the cackle.

Venom

Oct. 5

Isn't about time we got an entire film devoted to a super-villain instead of just another do-gooder? Venom made an appearance in the (awful) "Spider-Man 3," a strange alien symbiote that bonded with the web-slinger before turning evil. Again, the plot is very secret, but reportedly new Spidey Tom Holland turns up. Most exciting: Tom Hardy hisself plays Eddie Brock, the scummy dude who gets turned into Venom.

First Man

Oct. 12

One of America's quietest heroes, astronaut pioneer Neil Armstrong, gets his own biopic starring Ryan Gosling. Not much information available beyond that -- or even a production still -- but here's all I need to know: it's directed by Damien Chazelle ("Whiplash," "La La Land.")

X-Men: Dark Phoenix

Nov. 2

Years ago I interviewed original Jean Grey actress Famke Janssen, and she expressed her regret that they were pulling the plug on the first generation of X-Men movies before they got to explore what many consider one of the greatest story arcs in comics history, the Dark Phoenix saga. Now the franchise is finally going in that direction with Sophie Turner in the lead role, as the psychic/telepath is transformed into the most malevolent force in the universe. Jennifer Lawrence, Michael Fassbender, Nicholas Hoult and James McAvoy reprise their roles, with Jessica Chastain taking on a mystery part known only as "Smith."