Video review: "Edge of Darkness"

Mel Gibson, in his first starring role in eight years, is effective and believable as a tough Boston cop out for revenge after his daughter is murdered. But the plot is such a discombobulated mess, the movie comes across as a disjointed set of knife fights and pummeling of suspects.

Gibson plays Craven, a veteran detective who becomes unhinged when his only child is gunned down on his doorstep. His investigation leads to the castle-like headquarters of Northmoor, the mysterious corporation where she worked. The cryptic boss (Danny Huston) gives elusive answers to Craven's questions. Meanwhile, a British spook (Ray Winstone) is dispatched to deal with Craven, but ends up befriending him.

Director Martin Campbell ("Casino Royale") knows how to construct action scenes. But the script contains abrupt shifts in mood and tone. We never get to know Craven prior to his daughter's murder, so he only exists as a vehicle for revenge. And the strange interspersing of humorous moments severs any connection the audience might have developed for Craven's pain.

Mel Gibson still has the juice. But he's going to need better material than this for his cinematic rehabilitation.

"Edge of Darkness" is available on DVD and in a Blu-ray/DVD combo pack that includes a digital copy of the film.

Extras are fair to middling. There are four deleted scenes totaling about five minutes. Watching them, one can see why they were left on the cutting room floor.

A nine-part set of featurettes contains a whole lot of glad-handing, but a few juicy tidbits are to be found. Gibson traces the film's roots to 17th century Jacobean revenge tragedies, in which the villains have names that describe their flaws and, as Gibson succinctly puts it, "everybody kills each other in the end."

Knowing he had a one-way-ticket, Craven's character was even supposed to pay for his own funeral, in a scene that was never shot.

Campbell describes the BBC miniseries he directed in the 1980s that formed the basis for this film. The TV version had more political overtones that were jettisoned.

Movie: 2 stars
Extras: 2.5 stars

Review: "Edge of Darkness"

"Edge of Darkness" is a strange, strange movie. Not a terrible one, though its good parts are scattered in a wilderness of discombobulated scenes and disjointed story elements.

Mel Gibson -- in his first starring role in eight years -- plays a familiar archetype, an old-school cop out for revenge after his child is kidnapped/murdered/raped. It's a forceful, effective performance; we believe Gibson as Craven, a Boston detective who becomes unhinged when his daughter Emma (Bojana Navakovic) is gunned down on the front steps of his house.

But unlike, say, last year's "Taken" with Liam Neeson in a similar movie, we never see Craven in any context other than revenge mode. He does not seem to exist as a person outside of roughing up suspects and hunting down clues.

We know he owns a nice house in Roslindale, because that's where the murder took place. Presumably he had a wife once, but she's never mentioned. Craven is a detective, and declines to take a leave of absence, but abandons his own duties (if he ever had any) to pursue his daughter's killers. No one in the chain of command ever questions why he's running around getting into knife fights and highway shoot-outs.

The investigation leads to the doorstep of a corporation called Northmoor, where his daughter worked, and then things really get weird.

In his interview with the Northmoor boss, Craven is immediately put off by the man's elusive answers and strange behavior. The boss is played by Danny Huston, who has been so typecast as the heavy that whenever he first appears onscreen in a film, the audience thinks to itself, "The villain has just arrived." Huston really should talk to his agent about doing a romantic comedy or something just to mix things up.

The strangeness deepens. Northmoor apparently is into some nasty business, with the government's tacit approval, and a spook named Jedburgh is dispatched to take care of things. Jedburgh (Ray Winstone) meets with Craven, talks to him, seems to like him -- while making it clear that he may be inclined to rub Craven out at some indeterminate point in the future.

Director Martin Campbell ("Casino Royale") and screenwriters William Monahan and Andrew Bovell based the film on an old British TV series that Campbell directed. Perhaps that explains the episodic flow of the action, with big events followed by weepy scenes where Craven imagines he's seeing his daughter, still a little girl.

The transitions are abrupt, and often arbitrary.

At one point Craven comes across a name associated with his daughter, goes to the man's house and starts beating the hell out of him. He stops hitting the guy, saying his daughter wouldn't approve, then remembers that she's dead and starts wailing away again.

The audience laughs, and our critical link to Craven's pain shatters in a moment of cheap humor. What's more, the guy he's beating up, who seems bewildered by this assault, then disappears with nary another reference to him.

For all we know, Craven had the wrong address and was pummeling a pharmacist.

As much as I was perplexed by the movie's strange fits, I was never bored by it. I enjoyed the running joke between Jedburgh and Craven that, "Everything's illegal in Massachusetts." Jedburgh, who for some reason is British, wryly suggests it's "payback for the Tea Party."

I doubt "Edge of Darkness" will herald Mel Gibson's return to stardom. He's still a convincing performer, in need of better material.

2 stars