Sunday, December 6, 2015

Video review: "Ant-Man"


Just when it seemed like every super-hero in the Marvel universe had been covered, along came “Ant-Man” to prove that even little guys can get their own movie -- whether the world needs it or not.

The titular supe has a power that’s, well, kind of outside the mainstream. Cat burglar-turned-hero Scott Lang (Paul Rudd) puts on a special suit that allows him to shrink down to insect size, where his strength is proportionately increased because his molecules are closer together, or something. Also, he can command ants to do his bidding.

If a wee guy flying around on the back of a winged ant is your idea of high adventure, well then I’m glad for you. Personally I found this movie transcendently goofy.

It isn’t helped by Generic Corporate Villain #362, here played by Corey Stoll, who wants to adapt the technology developed by scientist Hank Pym (Michael Douglas) for a shadowy military. Want to take a wild guess if it comes down to a battle between Ant-Man and the bad guy in his own super-suit?

There’s a girl (Evangeline Lilly) because apparently these movies cannot exist without a love interest for the hero. She’s Pym’s daughter, with predictable daddy issues.

Rudd has a twinkly rascal’s charm as Lang, and we root for him even as we wish he weren’t playing a fellow with such a dumb power. Seriously, what’s next? A movie about a guy who can split himself into multiples and creates his own boy band? The woman who absorbs the essence of an opossum and fakes her own death?

Sometimes small things stay small because they deserve to.

Marvel movies tend to have generous packages of bonus features. “Ant-Man” is no exception, though you’ll have to spring for the Blu-ray combo pack to get the best stuff. The DVD has only a single deleted scene.

With the combo pack you add several more deleted and extended scenes, a gag real, a making-of documentary, a fake news package about Pym Technologies, and a look into the subatomic realm where Ant-Man accidentally gets stuck.

There’s also a feature-length commentary audio track, with both director Peyton Reed and Rudd participating.

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