Showing posts with label itay tiran. Show all posts
Showing posts with label itay tiran. Show all posts

Thursday, September 22, 2016

Review: "Demon"


A Polish/Israeli horror/comedy? Color me intrigued.

But, alas, not entertained. "Demon" is set in a tiny Polish village on the night of a huge wedding that apparently all the locals are invited to. Things slowly start to go from awkward to disturbing, with visions of dead girls and skeletons in the ground.

The groom begins acting weird, until it becomes clear he has been taken over by a dybbuk, a mythological Jewish spirit that wanders the earth, possessing humans in an attempt to resolve their torment.

It sounds like a neat idea, sort of a Blair-Witch-meets-The-Exorcist affair but with lots of vodka and dancing. Alas, director Marcin Wrona, who co-wrote the script with Pawel Maslona, fails to build tension or a pervading sense of dread. The film ends up being a spectacle of people trying to make the best of a bad situation.

Its main problem is that people never... stop... talking.

They yap and yap and yap. Every fearful encounter only elicits more rambling conversations. People argue and do little. Even as the groom strips off his clothes on the dance floor and starts convulsing with dark spirits, the father of the bride is telling everyone not to worry, it's nothing, let's open some more bottles.

Strangely, nobody leaves the reception. I like to think I'm the polite sort, but if I'm at a party and the guest of honor starts speaking in tongues, it's time to make up an excuse about the babysitter calling.

Not to get all nationalistic here, but one thing American horror filmmakers discovered long ago was the power of silence. You can often communicate a lot more through visuals, sound effects and music than having a bunch of people standing around talking about what's going on.

It's never a good thing when you're constantly thinking about the characters, "Just please shut up for awhile."
The bride is a popular local girl, Zaneta (Agnieszka Zulewska), daughter of the relatively wealthy owner of a mining company, while the groom is a Brit, Piotr (Itay Tiran), whom the parents and the rest of the family are just meeting for the first time. He speaks Polish passably well, seems to be a well-to-do professional type.

His father-in-law (Andrzej Grabowski) provides them with a run-down house to fix up as their own. While running an earth mover nearby, Piotr uncovers an old skeleton. When he tries to show it to others, not only the body but his entire excavation disappears. Then he has a dream -- or is it?? -- about being swallowed up in the mud.

The wedding goes off without a hitch, except for Piotr experiencing a little tic during the exchange of rings. But as the rain pours down on the barn where the reception is taking place, his behavior gets weirder and weirder. At first Zaneta's family tries to say he is simply drunk, but it's clearly something more sinister.

They bring in a doctor (sort of ... his qualifications seem spotty) to offer his opinion. A priest offers little assistance. An elderly professor, who had just been dismissed from the stage for his rambling toast, relates the tragedy of a Jewish girl, Hanna, who disappeared when he was just a boy -- which would have been right around the Holocaust. As one man observes, the country is practically built on corpses.

I'll leave the plot summary there, as you can probably guess what follows. "Demon" is a great idea for a movie than never comes to fruition.

On a sad note, Marcin Wrona killed himself right before the film's release -- and shortly after his own wedding -- apparently disappointed it didn't win a film festival prize.





Tuesday, January 18, 2011

Video review: "Lebanon"


The Academy Award nominations will be announced next week, and it would be a shock of "Lebanon" isn't among the names read for Best Foreign Language Film. In fact, this tremendous Israeli picture about a tank crew during the 1982 war in Lebanon is the odds-on favorite to win.

What's amazing about the movie is that it takes place entirely inside that tank -- grimy, smelly, cramped and oozing oil and gas like bodily fluids, the belly of that machine of war becomes another character in the story.

The crew of four young men includes Shmulik (Yoav Donat), the new gunner who's just arrived in time for a nasty mission. The tank is to accompany a platoon of paratroopers deep into Lebanese territory. As the gunner, Shmulik can peer out his sights into the world beyond -- and is horrified at what he sees.

During their first firefight, he freezes up and fails to fire their main gun, leading to one of the paratroopers being killed. Later, a captured Arab soldier is handcuffed inside the tank with them, leading to much friction.
The story reaches its horrific crescendo when the Israelis invade a Lebanese town, where women and children are right in their line of fire.

Like Shmulik, "Lebanon" bears witness to atrocities from which we cannot look away.
Video extras are rather skimpy in scope, though what there is, is decent.

"Notes on a War Film," a 24-minute feature, is an eclectic mix of interviews and footage. Writer/director Samuel Maoz -- who based the film on his own experiences during the Lebanon War -- claims that after the first day of shooting, all of the remaining shrapnel in his leg from a war wound came out of his flesh.

A funnier bit is where Maoz talks about getting the film past Israeli military censors. Just as an officer in the film does, a major insisted there were no phosphorus weapons aboard the tanks. Maoz asks her how she can say that, since he was there and remembered there were. Your memory is faulty, he is told.

Truth, it seems, is the first casualty of war.

Movie: 3.5 stars out of four
Extras: 2 stars