Showing posts with label IFJA. Show all posts
Showing posts with label IFJA. Show all posts

Saturday, April 3, 2021

Requiem for a fallen giant

 

Really, for the first few years I knew Ed Johnson-Ott, I had no idea how tall he was. Ed was using a wheelchair at that time, he the film critic for NUVO Newsweekly, and me the newly ensconced entertainment editor for the Indianapolis Star. 

I guess we were supposed to be rivals, but we came to be the very best of friends. For awhile his health improved and he was able to walk with just the aid of a cane, and I realized he was a big man, must've been well over six feet in his prime. As our relationship deepened from adversaries to colleagues to friends, I came to realize he was as gigantic a person as I've ever known.

Ed passed last night. He was a great writer, an even better friend, and an even better human being.

Please forgive me if this paean is as much about me as it is Ed. His loss has affected me on the deepest of levels. Since I moved to Indiana 16 years ago, I only have made three really important friendships. With Ed's passing and that of Star columnist Matt Tully a few years back, two are now gone. I'm not the type to make friendships easily, but they do tend to last. 

I'll carry Ed in my heart forever.

Before I fell in love with Ed as a person, I fell in love with his writing. There was just such a natural ease about it. He referred to his takes on movies as essays, not reviews, and often they were about him as much as they were the film. Reading one of Ed's pieces felt like sliding into a table at a diner for coffee with an old friend to chat about movies, even if it was the very first piece of his you'd ever read.

It affected my own writing style. My reviews had tended to grow into overly wordsmithed ruminations meant to impress the reader as much as inform. Lots of "vocab words" and complex run-on sentences. The sort of thing where you realize the writer is smart, and very much wants you to know how smart they are.

I knew I wanted to write more like Ed, and over the last dozen years I've adopted a simpler style that, if not exactly trying to emulate Ed's, at least took his gentler, more humanistic approach to heart. I even learned to put personal reflections in.

Ed dealt with a lot during the 16 years I knew him. His health, obviously, which landed him in and out of the hospital repeatedly over the last few years. On one occasion I went to visit him and found out he was at a different hospital from the last time. Ed had been in a terrible car accident decades ago where a friend was driving in an altered state and crashed (into a telephone pole, I think it was). His stomach was torn open, a disability that followed him the rest of his life, while the friend was unscathed.

I asked him once if he resented the guy who put him in a wheelchair, and he said not even for an instant. That's just the kind of guy Ed was: the man had no hatred in his heart. Even if he disagreed with you or thought you were behaving badly, he approached you with advice and kindness, never anger or harsh words. 

I remember one time we were out together and some young fellows were acting the fool. Ed, three feet lower in his wheelchair, spoke to them quietly but firmly about how great it was they were enjoying being young, but to have consideration for others while doing it. They stopped, listened and went about their way, a tad less rambunctious. 

Ed never had a lot of money, and his living situation continued to deteriorate over the years. At one time he made his living as a film critic, NUVO paying well enough and a syndication deal with other alt-weeklies making up the rest. It gradually went away, bit by bit, to the point NUVO had to stop paying him. 

Still, he wrote on. Never even considered quitting.

He lived in a ramshackle duplex in Downtown Indy. It was a scary neighborhood when I arrived in Indy, but has now gentrified with a huge, expensive condo building across the street now. His son, Donnie, lived with him for a few stretches, but it was a small place and they had their clashes as his adopted son desired his independence. 

The place got in worse and worse shape as Ed's health grew poorer again. He developed COPD and had to use oxygen tanks  to breathe. He had a car (given to him by a cousin) but stopped driving it because he felt he was no longer safe behind the wheel. We developed a system for press screenings where I would drive to his house, load him in his car with his tanks and wheelchair, go to the movie theater and then do it all in reverse afterward.

Ed lost a ton of weight as a result of his various ailments, which in a strange way actually helped him. His BP improved and the doctor said it was making it easier for him to breathe. He downscaled from the big, heavy oxygen tanks to a portable, lighter battery-powered machine that assisted his lungs. He loved his skinny new look, going from somewhere around 300 pounds when I met him to about 160.

He asked me to take some pictures on the stoop of his place to show off his hot new bod:

Still, he struggled to take care of himself and the place was a mess. Every time I came over I helped pick up, and suggested he consider an assisted living facility. He resisted, holding onto his freedom. He did agree to get a home healthcare aide, which helped for a time. He had a few of them over the span of a couple of years, some good, some not so good. One aide stole from him, but even then Ed was hesitant to report him to his employer.

I grew seriously worried when his mental state began to waver. Sometimes he'd be all there and other times he'd be confused and disoriented. He didn't have dementia, but the combination of his health challenges and medication would leave him addled.

One time I came over and there were pills strew all over the floor of his place, some of them crushed. I carefully put them back into their bottles (thank God for color coding) but the decision was finally made to give up his place. Fortunately Ed had turned 65 and could now receive Medicare, and moved into a nice rehabilitation center on the northeast side of Indy.

All the while, Ed kept reviewing movies. Maybe more sporadically than before, but whenever he could. He had another friend who would pick him up and drive to a movie theater, watch it together, and then work on the review collaboratively. Ed's fingers shook -- he had Parkinson's, on top of everything else -- and had lost the ability to type. Even a special laptop for people with disability I arranged for him from Easterseals Crossroads didn't help. So Ed would talk and the friend would write it down, and they'd turn it into an essay.

Even then, Ed worried that the work wasn't representative of his voice. I told him honestly that reading them, it sounded just like the same ol' Ed. I think this reassurance was important to him. Even with all his problems, he couldn't stand the idea of letting his readers down.

Ed seemed happy at the rehab center. He liked not having to worry about meals or meds, it was all taken care of. The last picture I took of him was January of last year. He wanted me to post it on his Facebook page, because in all the moves and complications, he'd lost access to his social media and email accounts. He wanted everyone to know he was doing OK.

I'd go see him every few months, bring him food or talk on the phone. It could be hard to get ahold of him. Most of the time he wouldn't answer the phone in his room, and voicemails never seemed to find their way to him. You'd just have to call and hope he picked up.

A couple of times when I saw him he was very confused. One time they'd had to move him out of his room because of a fire alarm, and he became convinced that they'd relocated him to another facility without telling him. He finally had a moment of clarity.

"Chris, is this one of those moments where an old person becomes confused about where they are and what's going on, but everything's actually OK?"

But then I'd go back a few weeks later and it'd be Ed, same old Ed, with all his brilliance and heart.

Ed and I talked a lot, about the deepest stuff that you really only share with a spouse or best friend. We shared our worries, our hopes, our disappointments, our sadness and pain. I'd had a lot of the latter over the last few years, with family deaths, job loss and my own health issues. We talked about our relationships, sex, insecurities, body image, all of it. 

He once reminisced about when he was younger and riding a bike with a lover on a hot day, and they took their shirts off. His boyfriend had a camera and took a picture, and he remembered being mortified at the time of his paunch and love handles being captured for all eternity. He still had that photo, and looked at from time to time to remind himself that he had no reason to be ashamed of his body. 

Ed had found his way to a place of practicing self-love long before anybody had given a name to it. What's more, he encouraged me to follow his trail. 

(Though it's something I still struggle with. Even today, I hate to be photographed and, though I'm on television every week, I never watch the footage.)

I hope people will remember Ed as a film critic. He truly was one of the great writers in Indiana history, certainly a giant of Hoosier journalism. There should be tributes and memorials. 

The Indiana Film Journalists Association exists because of him. In late 2008, after I'd been laid off from the Indy Star, Ed encouraged me to keep reviewing in whatever capacity I could. He mentioned that he and former Star critic Bonnie Britton (gone now as well) had tried to organize an Indiana critics group years earlier, but nothing ever came of it. 

He and I decided to try again, and found four other critics to join our little club. Our goal was to draw attention to our own work by giving out awards, and lobby for screenings that the studios had allowed to dwindle to a tiny trickle. But we also wanted to encourage young writers to try their hand at film criticism. Today we have two dozen IFJA members, and the studios actively solicit our attention.

As important a writer as Ed was, I hope people will remember the human being even moreso. He truly was one of the best people I've ever known. He always chose kindness over hatred, engagement over isolation, and listening over shouting.

We came from opposite places in a lot of ways: politically, geographically, sexually, professionally. But Ed never let it divide us.

I haven't been able to see Ed in person over the past year, which breaks my heart. But with a breathing disease and now a senior citizen living in an assisted facility, he was in the highest risk group for COVID. Since he couldn't access email regularly, even after the IFJA bought a tablet for him, occasional phone calls were all we had.

We tried to arrange a meeting in December, after we'd heard the rehab center was allowing outdoor meetings. I picked up his favorite Indian chicken dish as a treat, and had one more. 

The studios send DVD screeners to critics at year-end to make sure they see all their movies for awards voting, and it turns out Ed's had been piling up at his old house. The guy who lived there had been saving them, and got hold of my email address. I put together the whole pile, dozens of films, in a box along with a portable DVD player and headphones.

Alas, we could not meet. The facility was still not allowing in-person visits, even outdoors. So I dropped off the food, DVDs and player for him to enjoy. We talked later about how much that meant to him. I take great joy in knowing he spent the holidays in the company of a bounty of the love he and I both loved. 

Our last phone call was a few weeks ago, and Ed sounded strong and hale. Funny, smart, wonderful. Vintage Ed. 

He told me he loved me. I told him the same. It was something we'd started saying to each other about 10 years ago. In my upbringing, men aren't supposed to say that to each other, and other than my father, Ed was the first one I'd ever said it to. I only wish I'd said it earlier and more often.

We'll always have the movies, Ed... and, so much more.





Monday, December 15, 2014

Indiana film critics announce 2014 awards



The Indiana Film Journalists Association, an organization of writers dedicated to promoting quality film criticism in the Hoosier State, is proud to announce its annual film awards for 2014.

"Boyhood" won top honors, taking the prize for Best Film and earning a total of three awards. Richard Linklater won in the Best Director category, and the film also took the Original Vision award, which recognizes a film that is especially innovative or groundbreaking.

"Whiplash," which was the runner-up for Best Film, won two awards: Damien Chazelle's script in the Best Adapted Screenplay race, and J.K. Simmons for Best Supporting Actor.

"The Grand Budapest Hotel" also won two awards: Ralph Fiennes was named Best Actor, and Wes Anderson earned the Best Original Screenplay prize.

Besides the winner and runner-up for Best Film, eight other movies were named Finalists in that category, cumulatively representing Indiana film critics' picks for the 10 best movies of 2014. (See full list below.)

Reese Witherspoon took Best Actress honors for "Wild," while Jessica Chastain took Best Supporting Actress for "A Most Violent Year."

In the inaugural vote for the newest category, Best Vocal/Motion Capture Performance, Andy Serkis won for his work on "The Dawn of the Planet of the Apes." The IFJA is the only critics group in the U.S. to give out an award for nonrepresentational acting.

"The LEGO Movie" won Best Animated Feature, "Two Days, One Night" took the prize for Best Foreign Language Film and "Life Itself" took Best Documentary.

The Hoosier Award, which recognizes a significant cinematic contribution by a person or persons with roots in Indiana, or a film that depicts Hoosier State locales and stories, went to film historian and preservationist Eric Grayson.

IFJA members issued this statement with regard to the Hoosier Award: "For more than a decade, Grayson has worked tirelessly to collect, restore and exhibit movies on celluloid film, often for little to no pay or recognition. We commend his efforts to preserve movies in their original state and show them to people who share his passion for cinema. Countless films would have been lost to the ages were it not for his efforts."

The following is a complete list of honored films:

Best Film
Winner: "Boyhood"
Runner-up: "Whiplash"
Other Finalists (listed alphabetically):
"Dawn of the Planet of the Apes"
"The Grand Budapest Hotel"
"Guardians of the Galaxy"
"The Imitation Game"
"Life Itself"
"Locke"
"A Most Violent Year"
"St. Vincent"

Best Animated Feature
Winner: "The LEGO Movie"
Runner-Up: "The Boxtrolls "

Best Foreign Language Film
Winner: "Two Days, One Night"
Runner-Up: "Ida"

Best Documentary
Winner: "Life Itself"
Runner-Up: "An Honest Liar"

Best Original Screenplay
Winner: Wes Anderson, "The Grand Budapest Hotel"
Runner-up: Richard Linklater, "Boyhood"

Best Adapted Screenplay
Winner: Damien Chazelle, "Whiplash"
Runner-up: Graham Moore, "The Imitation Game"

Best Director
Winner: Richard Linklater, "Boyhood"
Runner-up: Damien Chazelle, "Whiplash"

Best Actress
Winner: Reese Witherspoon, "Wild"
Runner-up: Rosamund Pike, "Gone Girl"

Best Supporting Actress
Winner: Jessica Chastain "A Most Violent Year"
Runner-up: Melissa McCarthy, "St. Vincent"

Best Actor
Winner: Ralph Fiennes, "The Grand Budapest Hotel"
Runner-up: Tom Hardy, "Locke"

Best Supporting Actor
Winner: J.K. Simmons, "Whiplash"
Runner-up: Ethan Hawke, "Boyhood"

Best Musical Score
Winner: Mica Levi, "Under the Skin"
Runner-up: Alexandre Desplat, "The Grand Budapest Hotel"

Original Vision Award
Winner: "Boyhood"
Runner-up: "Under the Skin"

The Hoosier Award
Winner: Eric Grayson, film historian and preservationist
 (As a special award, no runner-up is declared in this category.)

Monday, December 12, 2011

IFJA announces 2011 film awards


The Indiana Film Journalists Association, an organization of journalists dedicated to promoting quality film criticism in the Hoosier State, is pleased to announce its annual film awards for 2011.

"The Artist" took top honors, winning Best Film as well as Best Director (Michel Hazanavicius) and Best Musical Score (Ludovic Bource).

"Win Win" earned two prizes, Paul Giamatti for Best Actor and Thomas McCarthy for Best Original Screenplay.

"The Descendants," which was named runner-up for Best Film, won Best Adapted Screenplay for Alexander Payne, Nat Faxon and Jim Rash.

Elizabeth Olsen took the Best Actress prize for "Martha Marcy May Marlene," while Viola Davis was named Best Supporting Actress for "The Help." Christopher Plummer took Best Supporting Actor for "Beginners."

Winners were declared in 14 categories, with a runner-up in 13 categories. In addition, a total of 10 movies (including the winner and runner-up) were recognized as Finalists for the top prize, Best Film of the Year.

"Rango" was named Best Animated Film, "Project Nim" Best Documentary and "The Skin I Live In" Best Foreign Language Film. "The Tree of Life" was given the Original Vision Award.

Lindsay Goffman was honored with The Hoosier Award as the producer of "Dumbstruck," a documentary about ventriloquists that was released nationally by Magnolia Pictures.

A word of explanation about the last two categories:

The Original Vision Award is meant to recognize a film that is especially innovative or groundbreaking.

The Hoosier Award recognizes a significant cinematic contribution by a person or persons with Indiana roots. As a special award, no runner-up is declared.

The following is a complete list of honored films:

Best Film of the Year
Winner: "The Artist"
Runner-up: "The Descendants"
Other Finalists: "Coriolanus," "Drive," "Hugo," "Martha Marcy May Marlene," "The Muppets," "The Skin I Live In," "Super 8," "The Tree of Life."

Best Animated Film
Winner: "Rango"
Runner-up: "Winnie the Pooh"

Best Foreign Language Film
Winner: "The Skin I Live In"
Runner-up: "13 Assassins"

Best Documentary
Winner: "Project Nim"
Runner-up: "Into the Abyss"

Best Original Screenplay
Winner: Thomas McCarthy, "Win Win"
Runner-up: J.C. Chandor, "Margin Call"

Best Adapted Screenplay
Winner: Alexander Payne, Nat Faxon and Jim Rash, "The Descendants"
Runner-up: Steven Zaillian and Aaron Sorkin, "Moneyball"

Best Director
Winner: Michel Hazanavicius, "The Artist"
Runner-up: Terrence Malick, "The Tree of Life"

Best Actress
Winner: Elizabeth Olsen, "Martha Marcy May Marlene"
Runner-up: Tilda Swinton, "We Need To Talk About Kevin"

Best Supporting Actress
Winner: Viola Davis, "The Help"
Runner-up: Amy Ryan, "Win Win"

Best Actor
Winner: Paul Giamatti, "Win Win"
Runner-up: Ralph Fiennes, "Coriolanus"

Best Supporting Actor
Winner: Christopher Plummer, "Beginners"
Runner-up: Albert Brooks, "Drive"

Best Musical Score
Winner: Ludovic Bource, "The Artist"
Runner-up: Howard Shore, "Hugo"

Original Vision Award
Winner: "The Tree of Life"
Runner-up: "The Artist"

The Hoosier Award
Winner: Lindsay Goffman, producer of "Dumbstruck"

http://indianafilmjournalists.com

Friday, April 30, 2010

IFJA announces addition of its 11th member

The Indiana Film Journalists Association is proud to announce the addition of its newest member, Gina Wagner!

Gina is an Internet-based film critic, and also our first member whose work is primarily via video. She is the critic for IndyMojo.com, an Indianapolis social networking site, as well as her own site, HauntedFlowerReviews.com.

In addition, her reviews are regularly featured on The Rotten Tomatoes Show, seen locally on Current TV.

The IFJA was formed in early 2009 with six members. With Gina's addition, we now number 11.

Our mission is to promote quality film criticism in the Hoosier State.

Thursday, December 17, 2009

New podcast on Hoosier critics awards

We've got a very special podcast this week over at The Film Yap. My co-conspiritor, Joe Shearer, and I are joined by nearly the entire roster of the Indiana Film Journalists Association -- Matthew Socey, Bob Bloom, Richard Propes, Lou Harry and Ed Johnson-Ott -- to talk about the awards we gave out earlier this week.

We were quite pleased with the attention our announcement received, which was printed or linked at many news outlets and movie fan sites.

Get the behind-the-scenes scoop of critics hashing out their annual awards!

http://www.thefilmyap.com/2009/12/16/indiana-critics-awards/

Monday, December 14, 2009

IFJA announces 2009 Film Awards


The Indiana Film Journalists Association, an organization of journalists dedicated to promoting quality film criticism in the Hoosier State, is pleased to announce its first-ever annual film awards.

Much like other regional critics groups, the IFJA Film Awards are meant to recognize the finest cinematic achievements of the year. Winners were declared in 12 categories, with a runner-up in 11 categories. In addition, a total of 10 movies (including the winner and runner-up) were recognized as Finalists for the top prize, Best Film of the Year.

"Up in the Air" took top honors, winning Best Film as well as Best Screenplay and Best Actor for George Clooney. "Where the Wild Things Are" received two awards, Best Director Spike Jonze and the Original Vision Award.

Carey Mulligan was named Best Actress for "An Education." "Fantastic Mr. Fox" was named Best Animated Film, "The Cove" Best Documentary and "Sin Nombre" Best Foreign Language Film.

Doug Jones, Morgan Mead and David Hamilton were honored with The Hoosier Award for their work on "My Name Is Jerry," a film shot in and around Muncie and partially funded by Ball State University.

To be eligible, a film must have played theatrically in Indiana during the 2009 calendar year, screened to state critics in advance of a 2010 general release date, or play in a Hoosier State film festival such as Indianapolis International Film Festival or Heartland Film Festival.

Below is a complete list of honored films. A word of explanation about the last two categories:

The Original Vision Award is meant to recognize a film that is especially innovative or original.

The Hoosier Award is meant to recognize a significant cinematic contribution by a person or persons with Indiana roots. As a special award, no runner-up is declared.

Best Film of the Year
Winner: "Up in the Air"
Runner-up: "Fantastic Mr. Fox"
Other Finalists: "(500) Days of Summer," "District 9," "The Hurt Locker," "Julie & Julia," "Moon," "Nine," "Up," "Where the Wild Things Are."

Best Animated Film
Winner: "Fantastic Mr. Fox"
Runner-up: "Up"

Best Foreign Language Film
Winner: "Sin Nombre"
Runner-up: "Welcome"

Best Documentary
Winner: "The Cove"
Runner-up: "Anvil! The Story of Anvil"

Best Screenplay
Winner: Jason Reitman and Sheldon Turner, "Up in the Air"
Runner-up: Spike Jonze and Dave Eggers, "Where the Wild Things Are"

Best Director
Winner: Spike Jonze, "Where the Wild Things Are"
Runner-up: Wes Anderson, "Fantastic Mr. Fox"

Best Actress
Winner: Carey Mulligan, "An Education"
Runner-up: Meryl Streep, "Julie & Julia"

Best Supporting Actress
Winner: Mo'Nique, "Precious: Based on the Novel 'Push' by Sapphire"
Runner-up: Vera Farmiga, "Up in the Air"

Best Actor
Winner: George Clooney, "Up in the Air"
Runner-up: Jeremy Renner, "The Hurt Locker"

Best Supporting Actor
Winner: Christoph Waltz, "Inglourious Basterds"
Runner-up: Stanley Tucci, "The Lovely Bones" and "Julie & Julia"

Original Vision Award
Winner: "Where the Wild Things Are"
Runner-up: "District 9"

The Hoosier Award
Winner: Actor Doug Jones, director Morgan Mead and screenwriter David Hamilton for "My Name Is Jerry"

About IFJA: The Indiana Film Journalists Association was formed in February 2009 with six founding members, and has since expanded its roster to nine. Members must reside in the Hoosier State and produce consistent, quality film criticism or commentary in any medium.

Members:
Bob Bloom, Lafayette Journal & Courier
Caine Gardner, Greencastle Banner-Graphic, The Film Yap.com
Lou Harry, Indianapolis Business Journal
Ed Johnson-Ott, NUVO Newsweekly
Christopher Lloyd, The Film Yap.com, The Current
Richard Propes, The Independent Critic.com
Nick Rogers, Suite101.com, The Film Yap.com
Joe Shearer, The Film Yap.com, Indy.com
Matthew Socey, WFYI

Friday, October 16, 2009

IFJA announces award rules and categories

The Indiana Film Journalists Association is pleased to announce its rules and categories for its first-ever film achievement awards.

The IFJA was founded at the beginning of this year to promote quality film criticism in the Hoosier State. As such, we will be recognizing the best and brightest of film, much as other critic groups do. We currently have nine members.

The IFJA Awards will be announced on or around Dec. 14. We will name a winner in each of 12 categories (listed below) as well as one runner-up in 11 categories. In the Best Film category only, we will recognize nine finalists in addition to the winner.

In order to be eligible, a film must have played in Indiana during the calendar year, or screened for our critics in advance of a 2010 wide release date. Movies that played in a major Hoosier State film festival -- such as Heartland Film Festival or Indianapolis International Film Festival -- will also be considered.

Here are the categories:
· Best Film of the Year
· Best Animated Film
· Best Foreign Language Film
· Best Documentary
· Best Screenplay
· Best Director
· Best Actress
· Best Supporting Actress
· Best Actor
· Best Supporting Actor
· The Hoosier Award
· Original Vision Award

The Hoosier Award is meant to recognize a significant cinematic contribution by a person with roots in the Hoosier State. This can be a director, screenwriter, actor, cinematographer, etc. To be eligible, the person must have been born in Indiana or spent a significant portion of their life here (attended college, etc.).

The Original Vision Award is meant to recognize a film that is especially innovative or original.

Monday, October 5, 2009

IFJA welcomes Nick Rogers

The Indiana Film Journalists Association is pleased to announce the induction of our newest member, Nick Rogers of Lafayette.

Nick writes for Suite101.com and has also agreed to start contributing to The Film Yap. Prior to that, he wrote reviews for the Springfield, Ill., newspaper and was a member of the St. Louis area film critics' group.

This brings our membership tally to nine.

The IFJA was formed in early 2009 to promote quality film criticism in the Hoosier State. Our primary goals are to lobby for additional screenings, and give out annual awards for the best movies and filmmakers at the end of the year, much as other critic groups do.

You can read some of Nick's work by clicking here.

Welcome Nick!

Monday, April 27, 2009

IFJA growing again!

The Indianapolis Film Journalists Association is pleased to announce yet another new member: Caine Gardner of the Greencastle Banner-Graphic.

With his addition, our little club is now up to eight members!

Thursday, March 19, 2009

Richard Propes joins the IFJA

I'm pleased to announce that the Indianapolis Film Journalists Association has added a new member, Richard Propes.

Richard is an independent critic -- literally. He runs the Web site, www.theindependentcritic.com. I encourage you to swing by there and check out his work.

He was voted in last week by our six inauguaral members, bringing us up to seven. The IFJA is a new group of newspaper, broadcast and Internet critics dedicated to promoting quality film in the Hoosier State. Our hope is that our collective muscle will get the studios to bring more screenings here. We also plan to give out awards at the end of the year.

Welcome, Richard!

Wednesday, February 25, 2009

Announcing the Indianapolis Film Journalists Association

Today, a group of six Hoosier film critics is announcing the formation of the Indianapolis Film Journalists Association. The IFJA is made up of writers, broadcasters and bloggers whose mission is the promotion of quality film to Indiana film-goers.

For now, it's a boys' club with all male members, but we hope to add some women and other journalists down the line.

Why now? Simply put, the number of screenings available to us has diminished significantly over the last couple of years, and has reached the point where we're struggling to find movies to write about because they aren't being shown to us. For example, we had exactly zero advance screenings in Indianapolis -- the 12th largest city in the U.S. -- over the last couple of weeks.

This is ironic, since it arrives just as the breadth of the discussion we're creating about movies is growing -- Lou Harry with his A&E blog at IBJ.com, myself here at CaptainCritic and Matthew Socey's "Film Soceyology" show at WFYI HD being the three newest additions to the scene.

We figured that using our collective muscle to lobby for more screenings is the way to go. Once we had that thought, the next logical step was to make it official and give ourselves a name.

Starting at the end of 2009, we plan to give out annual awards to the top films, just like other regional film critic groups do.

Here are the founding members of IFJA, listed alphabetically:

Bob Bloom, Lafayette Journal and Courier
Lou Harry, Indianapolis Business Journal
Ed Johnson-Ott, NUVO
Christopher Lloyd, freelance critic/blogger
Joe Shearer, Indy.com
Matthew Socey, WFYI, Host of “Film Soceyology