Video review: "Knives Out"

"Knives Out" is a supremely entertaining movie, though it's not hard to discern what it's all about: poking fun at the conventions of the Agatha Christie-style murder/mystery while wantonly indulging in every single trope inherent to the drama.

It ended up earning writer/director Rian Johnson, late of the much-maligned "The Last Jedi" entry in the Star Wars saga, an Academy Award for his original screenplay. It is indeed an intricate instrument of misdirection and humor, pointing the audience this way and yanking them that way, while forcing us to look here when we should be looking there.

It's a fun movie with a "big twist" that you know is coming, though still devilishly difficult to guess. It's the sort of flick you walk out of theater overhearing somebody loudly proclaim, "I saw it coming all along!", and know he's a dirty liar.

It's the prototypical "mansion with a dead guy and a bunch of suspects" setup. The uber-wealthy Thrombey clan has just encountered the death of patriarch Harlan (Christopher Plummer), a famous mystery novelist, under suspicious circumstances. It appears he took his own life, but is this really true?

 Benoit Blanc (Daniel Craig) is the Southern-fried private investigator on the case. Certainly there is not shortage of people with sufficient motive to see Harlan dead. This includes:

• Walt (Michael Shannon), who oversees his dad's publishing company and has tried for years to get him to sell his work for movies and whatnot
• Linda (Jamie Lee Curtis), the hard-bitten daughter who insists she's an independent success but is burdened with a lout husband, Richard (Don Johnson) and a peculiar son with Nazi-ish tendencies.
• Joni (Toni Collette), the New Age-y daughter-in-law who puts off an aura of self-confidence but is always hard up for cash
• Hugh (Chris Evans), the cad playboy grandson who recently had a loud falling out with Harlan, and seems to always be disappearing and reappearing at opportune moments

Other characters floating around the story are the police detective (Lakeith Stanfield) who outsources most of the detecting to Blanc; Katherine Langford as one of the nicer grandchildren; and Marta (Ana de Armas), Harlan's caretaker who was much closer to him than any of his own children.

Far be it from me to give anything away. All I will say is that "Knives Out" is that rare movie that seems to dare the audience to guess where it's going, but always manages to stay a few steps ahead.

I wouldn't call this one of the best movies of 2019, as some have. In the end it's a fun, clever movie that exists to be fun and clever. Is that really such a bad thing?

Video extras are quite comprehensive. Johnson provides a feature-length commentary track along with his director of photography, Steve Yedlin, and actor Noah Segan, who has a rather small part. Johnson also provides his own "In-Theatre" commentary and stars in his own featurette, "Planning the Perfect Murder."

Additionally there are two deleted scenes with commentary, a Q&A with director and cast, some marketing photos and "Meet the Thrombeys" viral ads, and "Making a Murder," an eight-part making-of documentary.

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Video review: "Halloween"

Why in the world did we need another entry in the exhausted “Halloween” franchise? The studio can give you 253 million reasons.

That was the box office tally of the newest Michael Myers slasher flick, and the first one to feature Jamie Lee Curtis since “Halloween: Resurrection” 17 years ago. It completely retcons the series, banishing all the movies since the second one from its memory -- the sequels, the reboots, the remakes -- and taking us back to square of the smart, tenacious girl and the masked psycho who wants to slash her to bits.

Except, of course, both Laurie Strode (Curtis) and Myers aka The Shape (played this time by Nick Castle) are both grandparent age by now. Indeed, Myers spends more time chasing Strode’s granddaughter, Allyson (Andi Matichak) than Laurie, who has become a pistol-packin’ grandma and recluse who seems to have done little over the past 40 years but wait for Myers to get out of prison.

Supporting characters include Will Patton as a veteran cop in Haddonfield, the fictional city where all the mayhem takes place; Judy Greer as Laurie’s estranged daughter; and Haluk Bilginer as Dr. Sartain, the oddball psychiatrist who’s been treating Myers without much success, just as Donald Pleasance’s Dr. Loomis did.

The new “Halloween” has a creative team from a comedy background: director David Gordon Green and his fellow screenwriters, Danny McBride and Jeff Fradley. It’s not a total yuk-fest, but they do slip in some comedic moments to lighten the mood.

Me? I likes my scary movies pure scary.

Bonus features are decent. They include seven deleted or extended scenes and the following documentary shorts:

• Back in Haddonfield: Making Halloween
• The Original Scream Queen
• The Sound of Fear
• Journey of the Mask
• The Legacy of Halloween

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Review: "Halloween"

“Halloween” is a decently energetic horror flickershow. But it doesn’t pass the basic litmus test of, “Does this movie need to exist?”

As you know, this film reunites Jamie Lee Curtis, in her most seminal role as Laurie Strode, with Michael Myers, with white-masked, silent killer who tried unsuccessfully to off her in the original movie of the same title from 40 years ago. It’s essentially a reunion.

But then, they already held this party in 1998 for “Halloween H20: Twenty Years Later.” She managed to whack off Michael’s head with an axe in that one, Lizzie Borden-style. Undeterred, he reappeared a few years later for “Halloween: Resurrection,” and returned the favor by killing Laurie.

And this doesn’t even take into account the Rob Zombie reboot and its own sequel a few years back, or the various Laurie-less sequels of the 1980s and ‘90s. “Halloween III” didn’t even bother with featuring Michael or Laurie, making television the villain, or something.

The point is, it’s impossible to take this franchise seriously any longer. It’s been rebooted and remade and retconned to hell and back again. There is no sense of consequences because anybody who dies can just be brought back for the next iteration by the next round of filmmakers. Rinse and repeat.

This 40th anniversary reunion is part homage to the original and part new story jag. It requires us to ignore all the previous Halloween movies since the second one. It even asks us to forget that Laurie and Michael are supposed to be brother and sister -- a key piece of the franchise’s iconography for five decades.

In this telling, Michael Myers has been rotting in a mental institution for the past 40 years, never speaking a word to anyone. Meanwhile, Laurie seems to have done little in the years between other than arming herself and preparing for the eventual day he would come after her again.

There’s another creepy, vaguely European doctor trying to puzzle his way into Michael’s brain, Dr. Sartain (Haluk Bilginer). Laurie takes on look at him and cuts to the chase: “You’re the new Loomis,” she says, referring to Donald Pleasance’s psychiatrist, whose obsession turned from curing Michael to ending him. I think Pleasance has actually been in more Halloween movies than Curtis.

Judy Greer plays Laurie’s estranged adult daughter, who was raised under the threat of Michael’s return, and has her own teen daughter, Allyson (Andi Matichak). She goes off to a Halloween party with her friends, and soon finds herself stalked by her grandmother’s not-brother.

Will Patton turns up as Frank Hawkins, a veteran cop in the fictional town of Haddonfield, who reputedly was the first one on the scene for the 1978 murders. He putters around here and there, discovering the bodies Michael leaves in his wake, killing time until his own inevitable offing.

Nowhere in the movie is it ever mentioned that Michael would have to be close to 70 years old now. You’d think at some point even maniacal serial killers would segue from slicing horny teenagers to Metamucil and a nice day in the park.

Directed by David Gordon Green, who comes from a comedy background and co-wrote the screenplay with funnyman Danny McBride and Jeff Fradley, “Halloween” contains a smattering of funny moments, such as two police officers comparing their lunches while sitting in their patrol car waiting to be stabbed.

How very different the horror genre has gotten in the last 40 years. I don’t think the original “Halloween” would’ve become anything like the iconic film it is with this sort of verbal diarrhea and passing attempts at levity.

John Carpenter knew that when you’re trying to scare people, concentrate on the scaring.

Video review: "You Again"

I love the cast of "You Again." And I enjoyed the slapsticky humor, of which there is plenty. Pretty much everything else about this Disney comedy is take it or leave it, though.

Kristen Bell plays Marni, a high-school ugly duckling who got her swan on in her 20s. Now a successful public relations executive, Marni uses the story of her loser days to inspire eager young interns: 'Believe in yourself, face your problems, and you too can blah blah blah blah…'

Disaster strikes when Marni realizes the woman her big brother Will (James Wolk) is marrying is none other than Joanna (Odette Yustman), the girl who tormented her back at Ridgefield High. Joanna was captain of the cheerleading squad, and ruled the school with a bitchy fist.

These flashback scenes are a laugh riot, due in large part to the convincing physical transformation of button-cute Bell into a nerd with droopy bangs, a face full of brace, and skin erupting with a bounty of zits.

Joanna acts as if she doesn’t even remember Marni, and proceeds to subtly make her feel like dirt all over again. Marni, though, is determined to extract an apology for the many wrongs done her. If she doesn’t get it, she’s prepared to extract her revenge by sending the marriage down in flames.

This set-up would be sufficient for most comedies, but "You Again" doubles down by replicating the dilemma one generation upward. Turns out Marni’s mom Gail (Jamie Lee Curtis, in a hoot of a performance) had a very similar experience in her school days with Ramona (Sigourney Weaver), who is revealed as Joanna’s aunt.

No one is going to confuse “You Again” with great filmmaking. But if you can stand the slow stretches, you’ll find an agreeably entertaining family-friendly comedy with a little bit of bite.

Extras are good in both DVD and Blu-ray/DVD combo format, with deleted scenes, a spoof interview with the cast that turns into a catfight, photo stills and a featurette following director Andy Fickman around.

Movie: 2.5 stars out of four
Extras: 3 stars

Review: "You Again"

I love the cast of "You Again." And I enjoyed the slapsticky humor, of which there is plenty. Pretty much everything else about this new Disney comedy is take it or leave it, though.

It's nice to see a movie that's not based on a book, comic strip, video game or another movie -- it was simply dreamed up out of screenwriter Moe Jelline's head, his first feature film. And if elements of the film seem familiar -- some have already dismissed it as "Mean Girls" for an older audience -- then at least the winning cast carries the material through the dry spots.

Kristen Bell plays Marni, a high-school ugly duckling who got her swan on in her 20s. Now a successful public relations executive, Marni uses the story of her loser days to inspire some eager new interns: 'Believe in yourself, face your problems, and you too can blah blah blah blah...'

Disaster strikes when Marni realizes the woman her big brother, Will (James Wolk), is marrying is none other then Joanna (Odette Yustman), the girl who tormented her back at Ridgefield High. Joanna was captain of the cheerleading squad, and ruled the school with a bitchy fist.

These flashback scenes are a hoot, due in large part to the convincing physical transformation of button-cute Bell into a nerd with droopy bangs, a face full of brace, and skin erupting with a bounty of zits. It's ironic that high-school movies often cast actresses the age of Yustman and Bell as 17-year-olds, and now we see how they get away with it.

Joanna acts as if she doesn't even remember Marni, and proceeds to subtly make her feel like dirt all over again. Marni, though, is determined to extract an apology for the many wrongs done her. If she doesn't get it, she's prepared to extract her revenge by sending the marriage down in flames.

This set-up would be sufficient for most comedies, but Jelline doubles down by replicating the dilemma one generation upward. Turns out Marni's mom Gail (Jamie Lee Curtis, in a hoot of a performance) had a very similar experience in her school days with Ramona (Sigourney Weaver), who is revealed as Joanna's aunt.

Now a fabulously wealthy hotel magnate, Ramona doesn't miss an opportunity to rub her success in Gail's face. Gail responds in kind, showing off some cheerleading moves and participating in an impromptu (and solo) drag race.

"High school was a horror movie. This weekend is the sequel," Marni laments.

Director Andy Fickman is an auteur of bland, family-friendly flicks -- "The Game Plan," "Race to Witch Mountain" -- and his ham-handedness is evident whenever the movie slows down for serious moments. Whenever the physical humor is front and center, though, it's an enjoyable romp.

The supporting cast is charming, top to bottom. Victor Garber plays Gail's pleasantly put-upon father, and Betty White pops up as Grandma Bunny, an octogenarian with a lusty streak. (Although, doesn't that describe all of White's TV and movie gags lately?)

Kristin Chenoweth plays Georgia, an impossibly spunky celebrity wedding planner, Billy Unger is Marni's wisecracking kid brother, and Sean Wing turns up as an old would-be flame of Marni's from school.

I especially liked Kyle Bornheimer as Tim, an old boyfriend of Joanna's who Marni invites to the wedding rehearsal to stir up the pot. Turns out Tim has some deeper-seated issues, which Bornheimer hilariously lets bubble to the surface.

No one is going to confuse "You Again" with great filmmaking. But if you can stand the slow stretches, you'll find an agreeably entertaining family-friendly comedy with a little bit of bite.

2.5 stars out of four