Showing posts with label joss whedon. Show all posts
Showing posts with label joss whedon. Show all posts

Wednesday, November 15, 2017

Review: "Justice League"


All is forgiven for "Batman v Superman: The Dawn of Justice." The DC Comics supergroup franchise that seems like it's been teased for an eternity finally arrives with a peal of thunder.

"Justice League" is a huge, sprawling, action-packed film that also finds time to let each of the characters show a little of their heart. I know the fanboys may want wall-to-wall combat, but it's just meaningless fireworks unless we grasp what the stakes are. Director Zack Snyder and screenwriters Joss Whedon and Chris Terrio manage to find time for everything a good superhero film needs, and keep it just under two hours to boot.

Yes, it's a little goofy. Occasionally over-the-top so. Comic book movies have taken a decided turn toward comedy in recent years, and there's no putting that toothpaste back in the tube. Most of it is centered around the Flash (Ezra Miller), the self-designated comedic relief. Every team needs a cutup, I guess. Miller accepts the role with enthusiasm and aplomb.

My only really major complaint with the movie is that the villain isn't terribly memorable. He's a pretty generic big ol' axe-swinging dude promising to bring about the end of the world named Steppenwolf -- and no, it's not terribly imposing to have a bad guy named after a middling Canadian rock band. Portrayed by Cirian Hinds via motion capture with an oversized horn helmet, he looks like he could have stepped right out of the most recent Thor movie without skipping a beat.

And OK, I'm not too keen on the latest iteration of Aquaman, played by Jason Momoa. And not just because yet another blond superhero has been turned brunette for the movies. (Though Momoa at least has now-you-see-em, now-you-don't highlights.) He's portrayed as a surly, tatted-up dude who likes to blow into fishing towns to gargle whiskey in between saving lives. He's like a benevolent biker meets Caine from "Kung Fu."

When "BvS" left off, Superman (Henry Cavill) had died battling Lex Luthor's monstrous creation, leaving the world without hope. Batman/Bruce Wayne (Ben Affleck) is still brooding, but he's committed to the idea of putting together a group of meta-humans to head off looming threats. Strange bug-like flying men have taken to popping up here and there, attracted by the smell of fear.

His only recruit thus far is Wonder Woman (Gal Gadot), who he sees as the logical replacement for Superman's beacon of virtue. But she's hesitant to take up that mantle, for reasons we saw in her solo movie earlier this year.

Wayne's other targets are Aquaman, Flash and Cyborg. Flash's only power is the ability to run crazy fast, and also generate electrical impulses while doing so. As he himself says, he's no warrior: "I've just pushed people and run away." His super-speed sequences are depicted in slo-mo, much like they did with Quicksilver in the "X-Men" movies, and there's one great scene where Flash gets a surprise of his own.

Cyborg (Ray Fisher) is your classic man/machine hybrid, who doesn't understand the full of extent of his expanding powers and sometimes even struggles to control them.

The team also gets a late, unexpected addition to the roster in time for the third act, but I'll say no more.

The plot is the usual gobbledygook about cosmic doohickeys being rediscovered and fitted together somehow to create end times. In this case, three square Mother Stones that were hidden away eons ago to prevent them from being combined to create the Unity.

(It's disturbing how weapons of cosmic destruction are always given such soothing names in the movies. How about the Hellacious Doom-Bringer?)

The action is frenetic and sometimes a little hard to follow. It's interesting to watch the different fighting styles of the heroes. Batman is all about intricate moves and outsmarting your opponents -- a necessity as he's the only league member lacking super-powers -- while Wonder Woman is a straight-on badass warrior who uses her sword, shield and magical rope, which forces people to reveal the truth.

Aquaman does more than just speak to fishies, wielding a trident and his own measure of super-strength. Cyborg's body is basically one big Iron Man suit, with a new gadget to pull out for every situation.

"Justice League" isn't nearly as good as the first Avengers movie, but it delivers a DC team flick that's undeniably entertaining. After the letdowns of "Man of Steel" and "BvS" -- and let's not even talk about that Green Lantern disaster -- the "other" comic book empire has finally put solid wood on the ball.

Post-script: Stick around during the credits for a couple of neat bonus scenes. The first recreates one of my favorite comic book events from my childhood, while the second demonstrates how out-of-touch I am with the modern comics scene.




Sunday, September 27, 2015

Video review: "Avengers: Age of Ultron"


As sequels go, “Avengers: Age of Ultron” delivered everything it had to.

It brought the gang of Marvel superheroes back together for another round of computer-generated mayhem and quips. It added some new wrinkles to the characters’ background stories and continuing evolution. A few new key super-powered folk were added to the mix. And a really crafty and charismatic villain emerged to steal the show.

The heavy here is Ultron, an artificial intelligence program created by Tony Stark aka Ironman (Robert Downey Jr.) and Bruce Banner/The Hulk (Mark Ruffalo) to protect the world, since they’re each anxious to get out of the caped crusader game. (Yes, I know neither one actually wears a cape; work with me, people!)

Ultron, menacingly voiced and motion-captured by James Spader, quickly decides that the Avengers themselves are the biggest thread to Earth. Thus their battle is joined, with Ultron jumping from robot body to body, like a virus that’s impossible to care.

Black Widow (Scarlett Johansson), Thor, (Chris Hemsworth), Captain America (Chris Evans) and Hawkeye (Jeremy Renner) are here, too. The new kids are mutant siblings Scarlet Witch (Elizabeth Olsen) and Quicksilver (Aaron Taylor-Johnson), who have mind powers and super-speed, respectively.

The supes race about the world trying to contain Ultron’s misdeeds, with a few character-driven subplots to keep the human angle fresh. We learn Hawkeye isn’t just a deadeye loner, and that Banner and Widow have feelings for each other.

It’s a rip-roaring time, not quite as good as the original, but what is?

Extras include deleted scenes, several making-of featurettes, feature-length audio commentary track and a gag reel.

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Extras:




Thursday, April 30, 2015

Review: "Avengers: Age of Ultron"


No, it's not quite the same thrill as watching the first Avengers movie. Really, how could it be?

Marvel spent years putting together the first super-hero supergroup movie, patiently setting up characters in their own solo flicks. So finally seeing a bunch of mini-gods in spandex fighting for a common cause was the ultimate payoff.

We're built to like what's shiny and new, so anything after that is bound to be a letdown. Still, "Avengers: Age of Ultron" is a worthy successor, managing to layer in plenty of incredible action scenes while also exploring what the whole "hero" concept means to those behind the masks.

(I say "masks" pejoratively, since only Iron Man wears one, and only then because it's not wise to leave obvious holes in your armor. Most comic book heroes keep their identities concealed, but Hollywood prefers not to spend big bucks on pretty faces and then hide them.)

Writer/director Joss Whedon combines a fanboy's appreciation for the intricacies of super-hero mythology with a cineaste's head for fast-paced mayhem. The result is a fun, giddy movie that occasionally rambles off the narrative tracks, but always manages to land its emotional punches.

If you'll recall from last time, the gang -- Iron Man (Robert Downey Jr.); Thor (Chris Hemsworth); Black Widow (Scarlett Johansson); Hawkeye (Jeremy Renner); and Hulk (Mark Ruffalo) -- had successfully fought off an alien invasion led by Loki, Thor's wayward brother. Half of New York was destroyed in the process, but hey, that helped set up Marvel's "Daredevil" show on Netflix.

"Ultron" opens with the Avengers stamping out the last traces of Hydra, a Nazi holdover that had captured Loki's magical staff.  Instead of returning it to Thor's home world for safekeeping, Tony Stark and Bruce Banner -- that's Iron Man and Hulk's nerdy scientist alter egos, of course -- decide to use it to build an artificial intelligence capable of safeguarding Earth from all threats.

Alas, their creation, Ultron -- wonderfully voiced and motion captured by James Spader -- decides that the biggest threat to the planet is humans. So he sets about on a nefarious plan to wipe out the Avengers and the regular folks they protect.

The hard part about defeating Ultron is that he can replicate himself, so he creates an army of robots -- all variations on Iron Man's suit -- which means you have to destroy every one of them to eradicate his mind.

Adding spice to the mix are Pietro and Wanda Maximoff, wayward young mutants who become Ultron's apprentices. He can run as fast as a bullet, hence his code name Quicksilver (Aaron Taylor-Johnson). She's the trickier of the two, capable of telekinesis as well as a limited degree of mind control. Aptly named Scarlet Witch (Elizabeth Olsen), she invades the inner psyche of each of the Avengers, forcing them to face their darkest fears.

The upshot of all of this is that being a hero isn't always that super. Stark and Banner in particular would like to hang up their mantles -- especially Banner, who can't control the Hulk and views his time in that form as a kind of madness. Black Widow is the only one who can calm him down, and that leads to the beginnings of a romance.

There's plenty of other cool stuff, too. We learn that Iron Man has a fail-safe option for when the Hulk goes berserk, and it's an even bigger iron suit that goes on top of his regular one, and comes with the absurd codename of "Veronica." We also get to meet the Vision (Paul Bettany), an artificial creation that ... well, best to discover on your own.

You can't put lightning back in a bottle, and you can't entirely recapture the spark of cinema's first super-hero team. But you can have a helluva good time trying.