May Wynn, meet May Wynn

So I took my own advice and started rereading Herman Wouk's "The Caine Mutiny." Just as fabulous as I remember.

But a short ways into the book, Willie Keith meets his girlfriend -- May Wynn. In my "Reeling Backward" review, that's the name I used for the actress who appears in the movie version. I thought I'd made a mistake, and used the character's name rather than the actress'. So I logged on here to fix it.

Wanna hear something really screwy? The actress' name is May Wynn.

In something that could only happen in Golden Age Hollywood, her name was changed to the name of her character in the movie, which was going to be her big break-out role.

After a little digging, I learned that big-wheel producer Stanley Kramer decided that the name of Donna Lee Hickey just wasn't going to cut it as a movie star. So he had her take the name of her character in the movie!

It does have a nice ring to it, with those two short syllables. Kramer liked it because it was impossible to mispronounce. Plus it has a positive connotation since it sounds like, "May win."

It's actually not the real name of the character, either. When Willie tells her he likes her name, she says, "That's good. It took me a long time to think of it." Turns out her real handle is Marie Minotti, and she's using May Wynn as her stage name.

So let me just lay out this scenario again: A fictional character gives herself a stage name, an actress is hired to play her in the movie, and the studio makes her change her real name to that of the character's made-up name. So May Wynn is a triple-fake name, or something.

Isn't that screwy? Imagine if in 1977 Carrie Fisher was forced to change her name to Princess Leia Organa. Or if Indiana Jones was played by a guy named Han Solo.

Anyway, May Wynn made quite an impression on me in the film, even though it's a small role. We first see her singing in a nightclub wearing this red dress that's really va-voom for the era. She had short, dark hair -- unusual for female stars of the time, long and blonde being the thing in the 1940s and '50s. She actually resembles my mother when she was a youngster ... very Freudian, I know.

Anyway, May's showbiz career was pretty short. She did a bunch of television for a few years after "Caine Mutiny," but Imdb.com lists no credits for her after 1959. She's still alive, reportedly living quietly in California. I'd be very curious to know: Does she still go by the name bestowed on her by a studio honcho 55 years ago?

Reeling Backward: "The Caine Mutiny"

Here's an embarrassing revelation: If you'd asked me if I'd ever seen "The Caine Mutiny," I would have told you yes. It's considered one of the more iconic performances of Humphrey Bogart's career, particularly the latter stage. The image of him rolling those ball bearings in his fist while muttering away as the unstable Captain Queeg is indelible, and I know I'd seen clips of it many times.

But shortly after starting up the movie the other day, it became apparent to me that I hadn't seen it all the way through. I think because it's one of those movies that gets replayed on TV a lot, I'd seen snippets of it here and there, and I had sort of absorbed it into my consciousness without ever getting the total experience.

Well, I've rectified that now, and it's a fine movie, and Bogie is indeed great in it, and it's a noble adaptation of Herman Wouk's book, which came out only three years prior to the 1954 movie.

But it's not perfect. And I think I know why: Willie Keith.

In the book, Willie is the central character and the guy through whose eyes we see Queeg. He grows quite a bit as a character, too, going from a pudgy spoiled rich boy to a lean and seasoned Naval officer. But in the movie, he becomes more or less a supporting player.

There's a few scenes of his life off the ship, where he's wooing a nightclub singer (a knockout May Wynn) and dealing with his overbearing mother. But aboard ship, Keith takes a back row to able performers like Bogart, Fred MacMurray and Van Johnson; in the courtroom scenes, Jose Ferrer and E.G. Marshall take center stage. Willie just sort of fades into the background.

Robert Francis' performance as Keith doesn't help; he's bland and unemotional, and looking up his profile on Imdb.com I'm not surprised to see that "Caine" was one of his first, and last, starring roles.

The real dynamic is between Bogart, Johnson and MacMurray, with the former playing the righteous but dimwitted executive officer who relieves Queeg of his command, and the latter as the clever but week-kneed communications officer who goads him into doing it.

I was intrigued by how physically small Bogart appears in the movie compared to the other actors. It is not uncommon for male movie stars to be short, but there are a whole host of tricks filmmakers use to hide this (such as: hiring short extras, putting the star in lift shoes, or putting him on hidden platforms or runways, or shooting him from a low angle so he seems to loom). It seems like a conscious decision was made to have him appear small. According to a little Web research, Bogart was on the low end of average height, 5'8", while both Van Johnson and Fred MacMurray were a few inches over 6 foot. Perhaps because Queeg is the villain of the piece, having him appear small adds to the conniving portrayal. Queeg has a furtive, almost rat-like quality to him.

I enjoyed "The Caine Mutiny" very much while recognizing its flaws. Mostly, it makes me want to re-read Herman Wouk's great book.

UPDATE: While researching May Wynn's history, I learn the reason that Robert Francis didn't have a long career is that he died in a plane crash in 1955 at age 25.