Video review: "The Artist"

Here's an interesting fact: three out of the last four winners of the Academy Award for Best Picture have been foreign-made. Though the latest, "The Artist," is somewhat debatable in that it was shot in Los Angeles with a few recognizable American actors in supporting parts. But the filmmakers and lead performers are French.

In actuality, "The Artist" is a really film that transcends borders. It's a love song to silent American films, as seen from across the Atlantic.

If you haven't already seen this wonderful movie -- easily the best of 2011 -- you may be put off by the knowledge that "The Artist" is silent and black-and-white. Don't be. While certainly artistic, this film isn't arty.

Instead, it's a gorgeous and emotionally transporting celebration of cinema. Jean Dujardin plays George Valentin, vainglorious king of Hollywood until the "talkies" invade and make him seem artistically antiquated. Peppy Miller (Bérénice Bejo) is the spitfire ingénue who lands a bit part in one of his movies, and turns into a big star herself.

Dujardin is a delight as the narcissistic but generous-hearted Valentin. With a pencil mustache and raconteur's smile, he's part Errol Flynn and part Gene Kelly -- especially during the smash musical finale.

Writer/director Michel Hazanavicius gives us a film that is self-aware but not self-absorbed. Foreign or not, "The Artist" is a triumph.

Extra features are commendable, if not as extensive as I might like.

There's a blooper reel and a Q&A with the cast and filmmakers. A half-dozen making-of featurettes explore topics like the film score and costumes to the Hollywood locations used throughout the film.

Movie: 4 stars out of four
Extras: 3 stars

Oscar picks and predictions 2012

One of the few good things about a feeble cinematic year is there is no overwhelming favorite set to dominate the 84th Academy Awards. For 2011, things are especially up in the air.

Consider that the two films with the most nominations, "Hugo" with 11 and "The Artist" with 10, have a combined box office total of less than $100 million. The also-ran, "The Descendents" with five nods, barely passed the $70 million mark.

Brisk ticket sales often don't correlate with quality filmmaking -- just look at 10 most popular movies of last year, nine of which were sequels (and the other was "Thor").

But when hardly anyone has seen the films being honored, that makes for little enthusiasm among potential Oscar-watchers. Even with the blessed return of Billy Crystal as emcee, I expect this year's Oscar telecast to be among the lowest-rated.

For those of us who like to see the awards spread around based on actual achievement, rather than following the bandwagon of a swaggering favorite, it's an exciting time.

Here are my predictions of who will win the Academy Award in each category, followed by my personal pick of who I think most deserves the statuette. For fun, I'll also suggest someone who should've been nominated, but wasn't.

BEST PICTURE

Winner: The Artist
Pick: The Artist
What About...: A Better Life

Very tough call here. It had appeared to be a two-way race between "The Artist" and "The Descendents," but then "Hugo" popped up in a late rally to take the lead in Oscar nominations. There's no end of love between the Academy and Martin Scorsese, flavored with a dollop of guilt because it took him until late in his career before he finally won an Oscar. But I'm betting my own pick, "The Artist," will follow in the footsteps of "The Hurt Locker," and the Academy will vote its conscience for a little film that truly is the best of the year. An even littler film that hardly anyone saw is the wonderful immigration drama, "A Better Life."

BEST DIRECTOR

Winner: Michel Hazanavicius
Pick: Hazanavicius
What About...: Pedro Almodóvar

It appears the director of "The Artist" will pick up the directing Oscar, and he deserves to. Hazanavicius won the Director's Guild prize, which has proven one of the most reliable bellwethers for the Academy Awards. Though, as noted above, the chance for a Scorsese upset is never to be discounted. Spanish auteur Almodóvar deserved more love for "The Skin I Live In," his most dazzling movie in at least a decade.

BEST ACTOR

Winner: Jean Dujardin
Pick: Brad Pitt
What About...: Michael Shannon

This category is as interesting for who was left off the list as who will win. There was much gnashing of teeth about Michael Fassbender ("Shame") and Leonardo DiCaprio ("J. Edgar") being passed over. But the most worthy snubee was Shannon in "Take Shelter." Dujardin of "The Artist" won this prize from the Screen Actors Guild Awards, which usually preludes the Oscars. I would've thought George Clooney was the frontrunner for his game-changing role in "The Descendents;" the Hollywood establishment adores him. For my money, I thought Pitt gave the performance of his career in "Moneyball."

BEST ACTRESS

Winner: Viola Davis
Pick: Meryl Streep
What About...: Tilda Swinton

Davis of "The Help" seems to have this award wrapped up, despite early frontrunners status by Streep. It's a familiar spot for the grand dame, who always seems to get passed by a younger competitor late in the race -- despite 17 nominations, Streep is still looking for her first Oscar win in three decades. The feel-good political correctness of "The Help" seems to be buoying Davis; she would be only the second African-American woman to win this prize. Personally, I thought her role, in both scope and depth, was a supporting one. I have a lot of problems with "We Need to Talk About Kevin" -- starting with that title -- but Swinton is amazing in it.

BEST SUPPORTING ACTOR

Winner: Christopher Plummer
Pick: Plummer
What About...: Andy Serkis

Plummer, playing a septuagenarian widower who comes out of the closet in "Beginners," has this category totally locked up. A lot of people were angry Albert Brooks wasn't nominated for his turn as a gregariously malevolent mobster in "Drive," but from my perspective it was just Brooks doing a very good Brooks impression ... with razors. Serkis, whose digitally augmented performance carried "Rise of the Planet of the Apes," practically needs his own category.

BEST SUPPORTING ACTRESS

Winner: Octavia Spencer
Pick: Spencer
What About...: Jessica Chastain

Another foregone conclusion: Spencer took a role in "The Help" that had been custom-written for her by a friend and knocked it out of the park, with sass and soul. Ironic that Chastain was nominated for "The Help," when she was so much better in several other roles during a fantastic breakout year, including "The Tree of Life," "Coriolanus" and "The Debt." Her turn as a supportive but realistic housewife in "Take Shelter" was probably her best.

ANIMATED FEATURE FILM

Winner: Kung Fu Panda 2
Pick: Rango
What About...: The Adventures of Tintin

Astonishing that "Tintin," Steven Spielberg's first animated film, was not nominated. It's not a great movie, but head and shoulders above limp sequels "Puss in Boots" and "Kung Fu Panda 2." Something tells me, though, that one or the other will win -- the history of this relatively young category runs more toward "most popular" than "best." "Rango" was clearly the latter.

ORIGINAL SCREENPLAY

Winner: The Artist
Pick: The Artist
What About...: Rango

Many were overjoyed about "Bridesmaids" picking up a screenwriting nomination, but for me it falls into that category of movies that aren't nearly as funny as they seem to think they are. Plus, say what you will, it was a knockoff of "The Hangover." Michel Hazanavicius, who wrote and directed "The Artist," came up with the most truly inventive and fresh story of the year. The only challenger for sheer originality would be the wonderfully weird "Rango," but animated films rarely get nominated for writing.

ADAPTED SCREENPLAY

Winner: The Descendants
Pick: Moneyball
What About...: The Skin I Live In

A competitive category with several really strong nominees. It would seem to be between "The Descendants" and "Moneyball." I thought the latter had the screenplay of the year, by script wizards Steve Zaillian and Aaron Sorkin. But the screenplay awards tend to be given out as consolation prizes, and I think Alexander Payne will be honored similarly to his last film, "Sideways," which lost out on the biggest prizes but took home the writing statue.

And the rest...

Sure, it's easy enough to make predictions for Best Actor or Best Picture. But what about those smaller, technical awards that are given out when most viewers run to the bathroom or warm up more popcorn? It takes a true prognosticator of mettle and grit to make picks for Best Soundwave Mix Editing. (That's a fake category ... I think.) Here are my stabs in the dark.

CINEMATOGRAPHY

Winner: The Artist
Pick: Hugo

I have plenty of reservations about "Hugo," but not its gorgeous look courtesy of Robert Richardson. I have no complaints, though, about Guillaume Schiffman's vivid black-and-white photography winning for "The Artist."

ART DIRECTION

Winner: Hugo
Pick: Hugo

COSTUME DESIGN

Winner: The Artist
Pick: Anonymous

EDITING

Winner: The Artist
Pick: The Girl with the Dragon Tattoo

DOCUMENTARY FEATURE

Winner: Paradise Lost 3: Purgatory

DOCUMENTARY SHORT

Winner: Incident in New Baghdad

ANIMATED SHORT FILM

Winner: La Luna
Pick: The Fantastic Flying Books of Mr. Morris Lessmore

LIVE ACTION SHORT FILM

Winner: Raju
Pick: The Shore

FOREIGN LANGUAGE FILM

Winner: A Separation

MAKEUP

Winner: Albert Nobbs
Pick: Harry Potter and the Deathly Hallows Part 2

MUSICAL SCORE

Winner: The Artist
Pick: The Artist

BEST SONG

Winner: "Man or Muppet" from The Muppets
Pick: "Man or Muppet"

In an embarrassing occurrence, only two songs were nominated this year -- a clear indication of how weak the field was. How we miss you, Howard Ashman.

SOUND EDITING

Winner: War Horse
Pick: Drive

SOUND MIXING

Winner: The Girl with the Dragon Tattoo
Pick: The Girl with the Dragon Tattoo

VISUAL EFFECTS

Winner: Harry Potter and the Deathly Hallows Part 2
Pick: Rise of the Planet of the Apes

Review: "The Artist"

Love, love, love!

For the first time in 2011, I have fallen, madly, for a movie. "The Artist" is a French film (but about, and largely of, Americans) that is in black-and-white and silent (!) to boot.

Never fear -- this is not a snooty art-house film intended only for people wearing black turtlenecks. It's a rapturous movie full of passion and artistry, self-aware but not self-absorbed. "The Artist" is about movie-making, in the way that great Hollywood movies have turned a loving (yet acerbic) gaze at themselves, like "Singin' in the Rain."

I cite "Singin'" because star Jean Dujardin reminded me very much of Gene Kelly in that film, with a heavy dash of Douglas Fairbanks Jr. thrown in. With a pencil mustache, slicked hair and rascal smile, he plays George Valentin, an aging matinee idol of silent films who finds his star falling with the advent of "talkies," or sound pictures.

At the same time, Peppy Miller (Bérénice Bejo) -- love that name -- the sparkly young ingénue who literally bumps into Valentine at one of his premiers and causes a stir, becomes the biggest light in Hollywood's new age of sound.

When I say that "The Artist" is silent, it is not of course absolutely lacking sound like the films before 1929, which were accompanied by a live orchestra or recorded music. Writer/director Michel Hazanavicius had the ingenious idea of showing us one of Valentin's movies first, operating under the familiar principle of demonstrative acting broken up by title cards for dialogue.

But then the camera pulls back to show the movie-within-a-movie being made -- but the people's mouths still flap soundlessly, and written dialogue provides their words for us.

Hazanavicius retains this charade throughout ... with two notable exceptions that fidget with the film's internal conventions.

The wonderful original score by Ludovic Bource is essential to the story, since virtually every second of film is accompanied by music. Bource also mixes in samples of scores from other movies -- the great Bernard Herrmann's eerie/gorgeous theme from "Vertigo," one of my favorite pieces of movie music, is employed beautifully in one pivotal scene.

There is a love affair between Valentin and Peppy, but it's pure and chaste. He's married, unhappily -- Penelope Ann Miller plays the wife, and the dissolution of their relationship is shown in a montage that pays homage to "Citizen Kane" -- and isn't the type to stray.

Although Valentin is undeniably a ham, and is overly fond of himself, he isn't a cad. He just loves the limelight, so when it's yanked away he folds into himself, like a flower denied the sun.

A number of recognizable American actors take supporting parts in the film, and it's a hoot to watch them attack silent acting. James Cromwell plays Valentin's doting chauffeur, who sticks by him even when his wages disappear. John Goodman is the chief at Kinograph Studios -- not an entirely bad fellow, but one who always knows where the greenbacks are. Missi Pyle plays a starlet tired of being upstaged by Valentin's showboating.

When the talkies invade, Valentin refuses to make the jump, insisting that audiences never needed to hear him talk before. It's stubborn pride, and even he knows this, but nothing can push him to compromise his artistic integrity.

It's an interesting exercise to consider exactly how serious an artist Valentin was. Truly, he made daffy little pictures in which he always played the handsome adventurer, accompanied by his smart little dog (who is his best friend in real life, too). Essentially, he starred in adventure serials that were already getting stale before sound pictures came along.

Hazanavicius harkens back to the first decades of movies -- even using the old-fashioned 1.66 aspect ratio -- with a mix of reverent nostalgia and modern ingenuity. "The Artist" isn't really a deep meditation on art and movies, but a joyful celebration of filmmaking and filmmakers.

4 stars out of four

IFJA announces 2011 film awards

The Indiana Film Journalists Association, an organization of journalists dedicated to promoting quality film criticism in the Hoosier State, is pleased to announce its annual film awards for 2011.

"The Artist" took top honors, winning Best Film as well as Best Director (Michel Hazanavicius) and Best Musical Score (Ludovic Bource).

"Win Win" earned two prizes, Paul Giamatti for Best Actor and Thomas McCarthy for Best Original Screenplay.

"The Descendants," which was named runner-up for Best Film, won Best Adapted Screenplay for Alexander Payne, Nat Faxon and Jim Rash.

Elizabeth Olsen took the Best Actress prize for "Martha Marcy May Marlene," while Viola Davis was named Best Supporting Actress for "The Help." Christopher Plummer took Best Supporting Actor for "Beginners."

Winners were declared in 14 categories, with a runner-up in 13 categories. In addition, a total of 10 movies (including the winner and runner-up) were recognized as Finalists for the top prize, Best Film of the Year.

"Rango" was named Best Animated Film, "Project Nim" Best Documentary and "The Skin I Live In" Best Foreign Language Film. "The Tree of Life" was given the Original Vision Award.

Lindsay Goffman was honored with The Hoosier Award as the producer of "Dumbstruck," a documentary about ventriloquists that was released nationally by Magnolia Pictures.

A word of explanation about the last two categories:

The Original Vision Award is meant to recognize a film that is especially innovative or groundbreaking.

The Hoosier Award recognizes a significant cinematic contribution by a person or persons with Indiana roots. As a special award, no runner-up is declared.

The following is a complete list of honored films:

Best Film of the Year
Winner: "The Artist"
Runner-up: "The Descendants"
Other Finalists: "Coriolanus," "Drive," "Hugo," "Martha Marcy May Marlene," "The Muppets," "The Skin I Live In," "Super 8," "The Tree of Life."

Best Animated Film
Winner: "Rango"
Runner-up: "Winnie the Pooh"

Best Foreign Language Film
Winner: "The Skin I Live In"
Runner-up: "13 Assassins"

Best Documentary
Winner: "Project Nim"
Runner-up: "Into the Abyss"

Best Original Screenplay
Winner: Thomas McCarthy, "Win Win"
Runner-up: J.C. Chandor, "Margin Call"

Best Adapted Screenplay
Winner: Alexander Payne, Nat Faxon and Jim Rash, "The Descendants"
Runner-up: Steven Zaillian and Aaron Sorkin, "Moneyball"

Best Director
Winner: Michel Hazanavicius, "The Artist"
Runner-up: Terrence Malick, "The Tree of Life"

Best Actress
Winner: Elizabeth Olsen, "Martha Marcy May Marlene"
Runner-up: Tilda Swinton, "We Need To Talk About Kevin"

Best Supporting Actress
Winner: Viola Davis, "The Help"
Runner-up: Amy Ryan, "Win Win"

Best Actor
Winner: Paul Giamatti, "Win Win"
Runner-up: Ralph Fiennes, "Coriolanus"

Best Supporting Actor
Winner: Christopher Plummer, "Beginners"
Runner-up: Albert Brooks, "Drive"

Best Musical Score
Winner: Ludovic Bource, "The Artist"
Runner-up: Howard Shore, "Hugo"

Original Vision Award
Winner: "The Tree of Life"
Runner-up: "The Artist"

The Hoosier Award
Winner: Lindsay Goffman, producer of "Dumbstruck"

http://indianafilmjournalists.com